{"title":"关于联系和谎言:奥因坎·布雷斯韦特的《我的姐姐是连环杀手》(2018)中的道德混乱","authors":"Eugenia Ossana","doi":"10.1080/17449855.2023.2170756","DOIUrl":null,"url":null,"abstract":"ABSTRACT Within the landscape of contemporary Nigerian literature, the debut novel of Oyinkan Braithwaite, My Sister, the Serial Killer (2018), stands out for its blend of black humour, ethical aspersions, denouncement of patriarchal violence, and unreliable narration. Readers are bound to sympathize with two criminal sisters, despite the decidedly thorny situation they are immersed in: stunning Ayoola inadvertently kills her boyfriends and connives with her sister Korede, a nurse who effectively disposes of the corpses. This article will revisit some considerations of entropic humour and comic distance with a view to demonstrating why the sisters are granted a redeeming opportunity. Additionally, it will examine the effects of domestic trauma – mainly from an African-centred perspective – and a possible fictional unlearning of patriarchal narratives. Finally it will focus on the role of the narrator’s unreliability in order to underscore the additional ironical undercurrents of the novel’s layered plot.","PeriodicalId":44946,"journal":{"name":"Journal of Postcolonial Writing","volume":"59 1","pages":"228 - 241"},"PeriodicalIF":0.2000,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Of ties and lies: Ethical disruptions in Oyinkan Braithwaite’s My Sister the Serial Killer (2018)\",\"authors\":\"Eugenia Ossana\",\"doi\":\"10.1080/17449855.2023.2170756\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Within the landscape of contemporary Nigerian literature, the debut novel of Oyinkan Braithwaite, My Sister, the Serial Killer (2018), stands out for its blend of black humour, ethical aspersions, denouncement of patriarchal violence, and unreliable narration. Readers are bound to sympathize with two criminal sisters, despite the decidedly thorny situation they are immersed in: stunning Ayoola inadvertently kills her boyfriends and connives with her sister Korede, a nurse who effectively disposes of the corpses. This article will revisit some considerations of entropic humour and comic distance with a view to demonstrating why the sisters are granted a redeeming opportunity. Additionally, it will examine the effects of domestic trauma – mainly from an African-centred perspective – and a possible fictional unlearning of patriarchal narratives. Finally it will focus on the role of the narrator’s unreliability in order to underscore the additional ironical undercurrents of the novel’s layered plot.\",\"PeriodicalId\":44946,\"journal\":{\"name\":\"Journal of Postcolonial Writing\",\"volume\":\"59 1\",\"pages\":\"228 - 241\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Postcolonial Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17449855.2023.2170756\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Postcolonial Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17449855.2023.2170756","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Of ties and lies: Ethical disruptions in Oyinkan Braithwaite’s My Sister the Serial Killer (2018)
ABSTRACT Within the landscape of contemporary Nigerian literature, the debut novel of Oyinkan Braithwaite, My Sister, the Serial Killer (2018), stands out for its blend of black humour, ethical aspersions, denouncement of patriarchal violence, and unreliable narration. Readers are bound to sympathize with two criminal sisters, despite the decidedly thorny situation they are immersed in: stunning Ayoola inadvertently kills her boyfriends and connives with her sister Korede, a nurse who effectively disposes of the corpses. This article will revisit some considerations of entropic humour and comic distance with a view to demonstrating why the sisters are granted a redeeming opportunity. Additionally, it will examine the effects of domestic trauma – mainly from an African-centred perspective – and a possible fictional unlearning of patriarchal narratives. Finally it will focus on the role of the narrator’s unreliability in order to underscore the additional ironical undercurrents of the novel’s layered plot.
期刊介绍:
The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.