重写希波吕图：玛丽娜·卡尔《Phaedra Backwards》中的混合性、后人文主义与社会政治

IF 0.2 3区历史学 0 CLASSICS

ARETHUSA Pub Date : 2022-09-01 DOI:10.1353/are.2022.0009

I. Torrance

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引用次数: 0

摘要

摘要：这篇文章揭示了爱尔兰剧作家玛丽娜·卡尔2011年在普林斯顿麦卡特剧院首演的《Phaedra Backwards》，这是对希波吕图神话的一次特别密集和多方位的21世纪复述。米诺陶在戏剧中的中心地位、技术在他的创作中的作用、自然在人类生活中的地位，以及某些令人惊讶的主题，如吃水仙花，都通过后人道主义的镜头进行了研究，以展示卡尔的戏剧如何引发对社会中的不顺从和人类对自然世界的破坏的反思。

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Rewriting Hippolytus: Hybridity, Posthumanism, and Social Politics in Marina Carr's Phaedra Backwards

Abstract:This article sheds light on Irish playwright Marina Carr's 2011 Phaedra Backwards, which premiered at the McCarter Theater in Princeton, as a particularly dense and multidirectional twenty-first century retelling of the Hippolytus myth. The centrality of the Minotaur in the drama, the role of technology in his creation, the place of nature in human life, and certain surprising motifs, such as the eating of daffodils, are examined through the lens of posthumanism to show how Carr's play invites reflection on nonconformism in society and on human damage to the natural world.

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来源期刊

ARETHUSA CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.