{"title":"灾难的形式","authors":"Shannon Gayk, E. Reynolds","doi":"10.1215/10829636-9478440","DOIUrl":null,"url":null,"abstract":"This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own ways while sharing a set of assumptions about how catastrophe invites formal experimentation. Form, these essays agree, can manage or even contain the chaotic accumulation of catastrophe, as well as being a means of gesturing toward catastrophe's often inexpressible surplus. As literary forms depict catastrophe, they attempt to structure or manage disorder but in doing so often throw into relief their own fragility, their inability to contain what they aim to express. This collection of essays thus reflects on how forms not only represent but also embody catastrophe's continuities and discontinuities, its rhythms and ruptures, its order and disorder, and its anxieties, uncertainties, and possibilities.","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Forms of Catastrophe\",\"authors\":\"Shannon Gayk, E. Reynolds\",\"doi\":\"10.1215/10829636-9478440\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own ways while sharing a set of assumptions about how catastrophe invites formal experimentation. Form, these essays agree, can manage or even contain the chaotic accumulation of catastrophe, as well as being a means of gesturing toward catastrophe's often inexpressible surplus. As literary forms depict catastrophe, they attempt to structure or manage disorder but in doing so often throw into relief their own fragility, their inability to contain what they aim to express. This collection of essays thus reflects on how forms not only represent but also embody catastrophe's continuities and discontinuities, its rhythms and ruptures, its order and disorder, and its anxieties, uncertainties, and possibilities.\",\"PeriodicalId\":51901,\"journal\":{\"name\":\"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/10829636-9478440\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10829636-9478440","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own ways while sharing a set of assumptions about how catastrophe invites formal experimentation. Form, these essays agree, can manage or even contain the chaotic accumulation of catastrophe, as well as being a means of gesturing toward catastrophe's often inexpressible surplus. As literary forms depict catastrophe, they attempt to structure or manage disorder but in doing so often throw into relief their own fragility, their inability to contain what they aim to express. This collection of essays thus reflects on how forms not only represent but also embody catastrophe's continuities and discontinuities, its rhythms and ruptures, its order and disorder, and its anxieties, uncertainties, and possibilities.
期刊介绍:
The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.