灾难的形式

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Shannon Gayk, E. Reynolds
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引用次数: 0

摘要

本期特刊探讨了对前现代灾难——环境的、社会的、政治的——的描述是如何被文学形式塑造的。这期杂志的导言探讨了形式与灾难的关系,并提供了一个案例研究形式是如何在一首关于十四世纪三场灾难的中古英语抒情诗中变化的:一场叛乱,一场瘟疫和一场地震。接下来的六篇文章以各自的方式探讨了灾难形式的动态,同时分享了一系列关于灾难如何引发正式实验的假设。这些文章一致认为,形式可以管理甚至包含灾难的混乱积累,同时也可以作为一种手段,向灾难往往无法形容的盈余做手势。当文学形式描述灾难时,它们试图构建或管理混乱,但这样做往往会暴露出它们自身的脆弱性,它们无法包含它们想要表达的东西。因此,这本文集反映了形式如何不仅代表而且体现了灾难的连续性和不连续性,它的节奏和断裂,它的秩序和无序,以及它的焦虑,不确定性和可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forms of Catastrophe
This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own ways while sharing a set of assumptions about how catastrophe invites formal experimentation. Form, these essays agree, can manage or even contain the chaotic accumulation of catastrophe, as well as being a means of gesturing toward catastrophe's often inexpressible surplus. As literary forms depict catastrophe, they attempt to structure or manage disorder but in doing so often throw into relief their own fragility, their inability to contain what they aim to express. This collection of essays thus reflects on how forms not only represent but also embody catastrophe's continuities and discontinuities, its rhythms and ruptures, its order and disorder, and its anxieties, uncertainties, and possibilities.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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