旋律与伴奏织体和声的纵向与图式记忆

IF 1.3 2区 心理学 0 MUSIC
Ivan Jimenez, Tuire Kuusi, J. Ojala
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引用次数: 1

摘要

我们用旋律和伴奏织体和10首商业上成功的西方流行音乐歌曲来研究和声的记忆。和声呈现为音色匹配的块和弦伴奏,以数字隔离的人声。我们使用了三种测试和弦变体:目标和弦与原始和弦在和声上相同,诱饵在图式上看似合理但与原始和弦不同,冲突与旋律的音调中心和局部音高都有冲突。我们使用了两种条件:在单和弦条件下,我们只呈现测试和弦,而在所有和弦条件下,测试和弦呈现原始摘录的所有和弦。120名参与者接受了不同程度的音乐训练,按照7分制对测试和弦是否为原始和弦进行评分。我们分析了两个维度的记忆结果:真实-图式和专门-一般。目标和弦的平均评分比诱饵高,比碰撞和弦高得多。在全和弦条件下,图式记忆(对西方调性和声的了解)似乎对评估测试和弦很重要,而在单和弦条件下,真实记忆(对歌曲的熟悉程度)对评估诱惑和弦尤为重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Veridical and Schematic Memory for Harmony in Melody-and-Accompaniment Textures
We studied memory for harmony using a melody-and-accompaniment texture and 10 commercially successful songs of Western popular music. The harmony was presented as a timbrally matching block-chord accompaniment to digitally isolated vocals. We used three test chord variants: the target was harmonically identical to the original chord, the lure was schematically plausible but different from the original, and the clash conflicted with both the tonal center and the local pitches of the melody. We used two conditions: in the one-chord condition we presented only the test chord, while in the all-chords condition the test chord was presented with all the chords of the original excerpt. One hundred and twenty participants with varying levels of music training rated on a seven-point scale if the test chord was the original. We analyzed the results on two dimensions of memory: veridical–schematic and specialized–general. The target chords were rated higher on average than the lures and considerably higher than the clash chords. Schematic memory (knowledge of Western tonal harmony) seemed to be important for rating the test chords in the all-chords condition, while veridical memory (familiarity with the songs) was especially important for rating the lure chords in the one-chord condition.
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来源期刊
Music Perception
Music Perception Multiple-
CiteScore
3.70
自引率
4.30%
发文量
22
期刊介绍: Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory
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