“格但斯克最负盛名的广场和建筑”。安吉迪乌斯·迪克曼对格但斯克的看法1617

IF 0.1 0 ART

Baltic Journal of Art History Pub Date : 2020-12-27 DOI:10.12697/BJAH.2020.20.03

L. O. Larsson

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引用次数: 0

摘要

本文讨论了一组蚀刻画，描绘了格但斯克(但泽)和城市不同地区的不同建筑，首次出版于1617年。这位艺术家是鲜为人知的Ægidius迪克曼，活跃于inGdánsk，可能也在17世纪的前25年在荷兰。在这些蚀刻版画出版的同一年，迪克曼还完成了Gdánsk的大鸟瞰图。1625年，ClaesJanszoon Visscher重新出版了城镇景色和全景图。本文的作者讨论了endickman和Visscher之间的关系，以及他们在这个项目上的合作，以及他们更广泛的艺术关系。迪克曼似乎是在荷兰长大的，这些蚀刻版画证明了他对维舍尔的地形版画很熟悉。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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„Die vornehmsten Plätze und Gebäude, die in Danzig zu sehen sind“. Aegidius Dickmans Ansichten von Danzig 1617

The paper discusses a set of etchings depicting different buildingsin Gdansk (Danzig) and different parts of the city, first publishedin 1617. The artist was the little known Ægidius Dickman, active inGdánsk and probably also in the Netherlands in the first quarter ofthe 17th century. In the same year that these etchings were published,Dickman also finished a large birds-eye view of Gdánsk. The setof town views and the panorama were both republished by ClaesJanszoon Visscher in 1625.The author of the article discusses the relationship betweenDickman and Visscher and their collaboration on this project, aswell as their wider artistic relationship. Dickman seems to have beentrained in the Netherlands, the etchings proving his familiarity withVisscher´s topographical prints.

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来源期刊

Baltic Journal of Art History ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.