1900-1950年英国业余乡村戏剧与社区

IF 0.3 3区 艺术学 0 THEATER
M. Wallis
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引用次数: 0

摘要

在两次世界大战期间,业余戏剧作为一种创造或修复、维持和发展英国乡村社区意识的手段得到积极推广。在这篇文章中,米克·沃利斯描绘了这种跨实践领域的推广,以及它们与作为一个领域本身的乡村戏剧“运动”的交集。其中包括士绅资助、战后和农村重建、成人教育和妇女自我提升。他还描绘了自1900年以来两次世界大战之间的乡村戏剧的出现,以及持续到20世纪90年代的地方政府戏剧顾问制度的出现。一次又一次,戏剧被视为改善个人生活、发展国家公民、恢复和庆祝当地社区的重要工具。最后,他提出了这项工作可以为未来的研究人员提供的重要见解。米克·沃利斯是利兹大学表演与文化荣誉教授。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Amateur Village Drama and Community in England, 1900–1950
In the interwar period, amateur drama was actively promoted as a means to create or repair, sustain and develop community consciousness in English villages. In this article, Mick Wallis maps such promotion across various fields of practice at their intersection with the village drama ‘movement’ as a field itself. These include gentry patronage, post-war and rural reconstruction, adult education, and women’s self-advancement. He also charts the emergence of interwar village drama from its precursors since 1900, and the emergence from it of the system of local government Drama Advisers that persisted until the 1990s. Time and again, drama is presented as a vital tool in the improvement of the lives of individuals, the development of national citizens, and the restoration and celebration of local communities. Finally, he suggests the important insights that this work can offer future researchers. Mick Wallis is Professor Emeritus of Performance and Culture at the University of Leeds.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
45
期刊介绍: New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
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