Suzane Weber da Silva, Mônica Fagundes Dantas, Eva Schul, Eduardo Severino, Robson Lima Duarte, Luísa Beatriz Trevisan Teixeira
{"title":"我是/我们是:现代舞,身体学和新的老身体","authors":"Suzane Weber da Silva, Mônica Fagundes Dantas, Eva Schul, Eduardo Severino, Robson Lima Duarte, Luísa Beatriz Trevisan Teixeira","doi":"10.1386/jdsp_00018_3","DOIUrl":null,"url":null,"abstract":"In this photographic article, we gather five Brazilian choreographers and dancers who are over 50 years old: Eva Schul (72), Robson Duarte (57), Eduardo Severino (57), Suzi Weber (55) and Monica Dantas (52). Movement and dance photos support a narrative about age, longevity and fragility in contemporary dance. We try to answer some questions: how old is too old to dance? How do we embody time? How do we integrate damage and fragility to our dance? We have been collaborating with Eva Schul since the 1990s, and in parallel, we have been developing our own work. Since the 1980s, Eva Schul has been working with contemporary dance integrating somatic practices. So, this visual essay addresses topics related to the history of somatic practices and contemporary dance in southern Brazil and somatic perspectives on the ageing issue. We intend to give voice and image to those dancers and choreographers that are challenging the perspective of body image in dance, and highlight their older bodies, which can display vulnerability and fragility and, at the same time, strength and desire, ready to fight the battles of art and life. Our vision is that to give voice and image to those dancing bodies matured by the passage of time constitutes a political act.","PeriodicalId":41455,"journal":{"name":"Journal of Dance & Somatic Practices","volume":"12 1","pages":"141-153"},"PeriodicalIF":0.2000,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"I am/we are: Contemporary dance, somatics and new older bodies\",\"authors\":\"Suzane Weber da Silva, Mônica Fagundes Dantas, Eva Schul, Eduardo Severino, Robson Lima Duarte, Luísa Beatriz Trevisan Teixeira\",\"doi\":\"10.1386/jdsp_00018_3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this photographic article, we gather five Brazilian choreographers and dancers who are over 50 years old: Eva Schul (72), Robson Duarte (57), Eduardo Severino (57), Suzi Weber (55) and Monica Dantas (52). Movement and dance photos support a narrative about age, longevity and fragility in contemporary dance. We try to answer some questions: how old is too old to dance? How do we embody time? How do we integrate damage and fragility to our dance? We have been collaborating with Eva Schul since the 1990s, and in parallel, we have been developing our own work. Since the 1980s, Eva Schul has been working with contemporary dance integrating somatic practices. So, this visual essay addresses topics related to the history of somatic practices and contemporary dance in southern Brazil and somatic perspectives on the ageing issue. We intend to give voice and image to those dancers and choreographers that are challenging the perspective of body image in dance, and highlight their older bodies, which can display vulnerability and fragility and, at the same time, strength and desire, ready to fight the battles of art and life. Our vision is that to give voice and image to those dancing bodies matured by the passage of time constitutes a political act.\",\"PeriodicalId\":41455,\"journal\":{\"name\":\"Journal of Dance & Somatic Practices\",\"volume\":\"12 1\",\"pages\":\"141-153\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Dance & Somatic Practices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jdsp_00018_3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Dance & Somatic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jdsp_00018_3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
I am/we are: Contemporary dance, somatics and new older bodies
In this photographic article, we gather five Brazilian choreographers and dancers who are over 50 years old: Eva Schul (72), Robson Duarte (57), Eduardo Severino (57), Suzi Weber (55) and Monica Dantas (52). Movement and dance photos support a narrative about age, longevity and fragility in contemporary dance. We try to answer some questions: how old is too old to dance? How do we embody time? How do we integrate damage and fragility to our dance? We have been collaborating with Eva Schul since the 1990s, and in parallel, we have been developing our own work. Since the 1980s, Eva Schul has been working with contemporary dance integrating somatic practices. So, this visual essay addresses topics related to the history of somatic practices and contemporary dance in southern Brazil and somatic perspectives on the ageing issue. We intend to give voice and image to those dancers and choreographers that are challenging the perspective of body image in dance, and highlight their older bodies, which can display vulnerability and fragility and, at the same time, strength and desire, ready to fight the battles of art and life. Our vision is that to give voice and image to those dancing bodies matured by the passage of time constitutes a political act.
期刊介绍:
The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.