我是/我们是:现代舞,身体学和新的老身体

IF 0.2 0 DANCE
Suzane Weber da Silva, Mônica Fagundes Dantas, Eva Schul, Eduardo Severino, Robson Lima Duarte, Luísa Beatriz Trevisan Teixeira
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引用次数: 1

摘要

在这篇摄影文章中,我们收集了五位50岁以上的巴西编舞和舞者:Eva Schul(72岁),Robson Duarte(57岁),Eduardo Severino(57岁),Suzi Weber(55岁)和Monica Dantas(52岁)。动作和舞蹈照片支持当代舞蹈中关于年龄、寿命和脆弱性的叙述。我们试图回答一些问题:多大年纪才不能跳舞?我们如何体现时间?我们如何将伤害和脆弱融入我们的舞蹈?自20世纪90年代以来,我们一直与Eva Schul合作,同时我们也在开发自己的作品。自20世纪80年代以来,伊娃·舒尔(Eva Schul)一直致力于融入躯体实践的当代舞蹈。因此,这篇视觉文章讨论了与巴西南部躯体实践和当代舞蹈的历史有关的主题,以及老龄化问题的躯体视角。我们想要给那些在舞蹈中挑战身体形象视角的舞者和编舞以声音和形象,突出他们年老的身体,展现脆弱和脆弱,同时也展现力量和欲望,准备好迎接艺术和生活的战斗。我们的愿景是,赋予那些随着时间的流逝而成熟的舞蹈身体以声音和形象,这是一种政治行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I am/we are: Contemporary dance, somatics and new older bodies
In this photographic article, we gather five Brazilian choreographers and dancers who are over 50 years old: Eva Schul (72), Robson Duarte (57), Eduardo Severino (57), Suzi Weber (55) and Monica Dantas (52). Movement and dance photos support a narrative about age, longevity and fragility in contemporary dance. We try to answer some questions: how old is too old to dance? How do we embody time? How do we integrate damage and fragility to our dance? We have been collaborating with Eva Schul since the 1990s, and in parallel, we have been developing our own work. Since the 1980s, Eva Schul has been working with contemporary dance integrating somatic practices. So, this visual essay addresses topics related to the history of somatic practices and contemporary dance in southern Brazil and somatic perspectives on the ageing issue. We intend to give voice and image to those dancers and choreographers that are challenging the perspective of body image in dance, and highlight their older bodies, which can display vulnerability and fragility and, at the same time, strength and desire, ready to fight the battles of art and life. Our vision is that to give voice and image to those dancing bodies matured by the passage of time constitutes a political act.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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