英国的“大封锁”与文化消费

IF 1.9 2区 经济学 Q2 ECONOMICS
Hasan Bakhshi, Salvatore Di Novo, Giorgio Fazio
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引用次数: 0

摘要

在本文中,我们利用专门针对英国成年人收集的独特的每周纵向调查,研究了在第一次科维德-19 全国封锁("大封锁")期间与文化内容类型有关的消费选择。我们研究了消费不同文化和创意类型内容(音乐、电影、电视、游戏、书籍、杂志和有声读物)的概率变化,以及整体消费种类的变化。我们发现,消费的变化取决于内容的类型。特别是,在其他条件相同的情况下,听音乐和玩游戏的可能性上升,而阅读书籍的可能性下降。我们发现,其他类型内容的消费概率在统计上几乎没有明显的变化。我们发现,虽然平均而言,个人的消费种类增加了,但这种增加的统计意义因相关的社会人口和经济特征而异。特别是,我们发现社会经济地位分布最底层的人的消费种类有所增加,这说明在封锁期间文化和创造力对这一特定社会阶层的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

The "Great Lockdown" and cultural consumption in the UK.

The "Great Lockdown" and cultural consumption in the UK.

In this paper, we exploit a unique weekly longitudinal survey of adults in the UK purposefully collected to study consumption choices with respect to cultural content types during the first Covid-19 national lockdown (the "Great Lockdown"). We look for changes in the probability of consuming different cultural and creative types of content (Music, Movies, TV, Games, Books, Magazines and Audiobooks), as well as changes in the overall variety of consumption. We find that changes in consumption depend on the type of content. In particular, other things being equal, the likelihood of listening to Music and playing Games went up and the likelihood of reading Books went down. We find little statistically significant evidence of changes in the probability of consumption of the other types of content. We find that, while on average individuals increased the variety of their consumption, the statistical significance of this increase varied depending on the socio-demographic and economic characteristic of interest. In particular, we find evidence of an increase in the variety of consumption for those at the bottom of the distribution of socio-economic status, which speaks to the importance of access to culture and creativity during lockdown for this specific social class.

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来源期刊
CiteScore
5.20
自引率
18.50%
发文量
26
期刊介绍: Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ
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