金Chŏnghŭi与他的碑文研究:两块新罗石碑及其拓片

IF 0.7 3区 社会学 0 ASIAN STUDIES
Jeongsoo Shin
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引用次数: 0

摘要

摘要:从理论上讲,墨拓片相对于其所来自的石碑而言是次要的,但对于那些对文人碑文更感兴趣的人来说,墨拓片是主要的资料来源,而不是石碑的三维纪念性。在这两种媒介地位的转换中,文字形式和书法风格在碑文鉴赏中发挥着微妙而关键的作用。从18世纪末和19世纪初开始,中国和朝鲜的学者交换古代石碑拓片以建立友谊。但是,在讨论韩国文的书法风格时,出现了相互矛盾的解释。据了解,中国人对韩国石碑的迷恋是他们对朝鲜半岛上的中国遗迹进行调查的一部分。韩国学者则试图表明,韩国文化从早期开始就与中国文化保持同步。本文以“牧杖寺”和“黄寺'oryŏng石碑”为例,讨论了两国学者的利己主义动机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kim Chŏnghŭi and His Epigraphic Studies: Two Silla Steles and Their Rubbings
Abstract:Theoretically, ink rubbings are secondary to the steles they come from, but they served as primary sources for epigraphers who were more interested in literati inscriptionality than they were in the three-dimensional monumentality of the steles. In this shifting status of the two media, textual form and calligraphic style play a subtle yet critical role in the appreciation of inscriptions. Beginning in the late eighteenth and early nineteenth centuries, scholars in China and Korea exchanged rubbings of ancient steles to build friendships. Conflicting interpretations, however, arose when discussing the calligraphic style of Korean inscriptions. Chinese fascination with Korean steles is understood as part of their investigation into the remnants of Chinese heritage on the Korean peninsula. Korean scholars, in turn, attempted to suggest that Korean culture kept abreast with that of China from early times onward. Using two case studies of the Mujangsa and Hwangch'oryŏng Steles, this article discusses how self-serving agendas motivated scholars of both countries.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
23
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