罗伯特·罗德里格斯:创造性教学

IF 0.1 3区 文学 0 LITERATURE
C. Berg
{"title":"罗伯特·罗德里格斯:创造性教学","authors":"C. Berg","doi":"10.7560/tsll63204","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This photo essay traces Robert Rodriguez’s career as a filmmaker and teacher from the time he was a film student at the University of Texas to the present. It examines a little-known aspect of the director’s career—his role as filmmaking teacher. I argue that from his first feature, El Mariachi (1992), to a recent thriller, Red 11 (2019), he has used his films as a means of teaching his low-budget, no-frills “Mariachi style” filmmaking method to beginning moviemakers.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"173 - 198"},"PeriodicalIF":0.1000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Robert Rodriguez: Teaching Creativity\",\"authors\":\"C. Berg\",\"doi\":\"10.7560/tsll63204\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This photo essay traces Robert Rodriguez’s career as a filmmaker and teacher from the time he was a film student at the University of Texas to the present. It examines a little-known aspect of the director’s career—his role as filmmaking teacher. I argue that from his first feature, El Mariachi (1992), to a recent thriller, Red 11 (2019), he has used his films as a means of teaching his low-budget, no-frills “Mariachi style” filmmaking method to beginning moviemakers.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"63 1\",\"pages\":\"173 - 198\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll63204\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll63204","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

摘要:这篇摄影文章追溯了罗伯特·罗德里格斯从得克萨斯大学电影系学生到现在的电影制作人和教师生涯。它考察了导演职业生涯中一个鲜为人知的方面——他作为电影制作老师的角色。我认为,从他的第一部长片《El Mariachi》(1992年)到最近的惊悚片《Red 11》(2019年),他一直将自己的电影作为一种手段,向初出茅庐的电影制作人传授低预算、无装饰的“Mariachi风格”电影制作方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Robert Rodriguez: Teaching Creativity
ABSTRACT:This photo essay traces Robert Rodriguez’s career as a filmmaker and teacher from the time he was a film student at the University of Texas to the present. It examines a little-known aspect of the director’s career—his role as filmmaking teacher. I argue that from his first feature, El Mariachi (1992), to a recent thriller, Red 11 (2019), he has used his films as a means of teaching his low-budget, no-frills “Mariachi style” filmmaking method to beginning moviemakers.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
50.00%
发文量
14
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信