专题制图:101鼓舞人心的方法来可视化经验数据

IF 1 4区 地球科学 Q3 GEOGRAPHY
L. Harrie
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引用次数: 0

摘要

以及地图批评、技术和理论发展、对当前新兴现象的思考和对历史现象的解读。对我来说,特别重要的是第一部分,“情境制图:从工艺到性能”。它阐述了制图思维中发生的主要范式转变,首先是一种需要优化的信息表示,然后是一种要批判性解构的话语,最近是一种以多种方式进行研究和体验的实践。重要的是,最后一种方法在制图思维领域越来越受到欢迎,它并没有取代更具技术性和批判性的方法,而是让我们有机会认识到,今天的地图研究需要比以往任何时候都更加多元化。第二部分,“探索现代制图的起源”,第三部分,“测量地球:从大地测量到全球定位系统”,在解读从各个时代到现在的技术变化时提供了历史和文化视角。第四部分“理解制图设计:实践中的原则”介绍了一些基本原则,为非制图背景的学者提供了有益的参考。第五部分“地图与社会:使用、使用和用户”更真诚地关注社会和政治问题,而第六部分“对地图和制图未来的思考”是一个初步的反思,包括一些伦理问题。我相信,这本书对所谓的制图人文学科的扩展领域也有特别的价值,因为它将技术方面与反思性解释和理论问题交叉在一起。事实上,一些专门讨论视觉和视觉文化、媒体融合、创造性问题、民族志方法和人文视角的章节本可以包括在内。然而,正如作者在引言中所认识到的那样,本集旨在促进对地图研究领域的进一步审查,它肯定成功地鼓励了类似的举措,展示了当前制图研究的复杂而迷人的方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Thematic Mapping: 101 Inspiring Ways to Visualise Empirical Data
and cartographic criticism, technological as well as theoretical developments, reflections on current emerging phenomena and reading of historical ones. Of particular significance, to me, is Part I, ‘Situating Cartography: From Craft to Performance’. It articulates the main paradigmatic shifts that occurred in thinking of cartography as first an informational representation to be optimized, then a discourse to be critically deconstructed and, more recently, a practice to be researched and experienced in multiple ways. Importantly, this last approach, which is increasingly embraced in the field of cartographic thinking, does not supersede the more technical and critical ones but gives the opportunity to recognize that today map studies need to be more pluralistic than ever before. Part II, ‘Exploring the Origins of Modern Cartography’, and Part III, ‘Measuring the Earth: From Geodesy to GPS’, provide historical and also cultural perspectives in reading technological changes through the epochs until present times. Part IV, ‘Understanding Cartographic Design: Principle in Practice’, features some basic principles that result in a useful reference for scholars with non-cartographic backgrounds. Part V, ‘Map and Society: Use, Uses and Users’ is more genuinely attached to social and political issues, while Part VI, ‘Reflections on the Future of Mapping and Cartography’, is a tentative reflection, including some ethical questions. I believe that the book also holds particular value for the expanding area of the so-called cartographic humanities, since it intersects technical aspects with reflective interpretation and theoretical issues. Indeed, some chapters devoted to visuality and visual cultures, media convergence, creative issues, ethnographic methods and humanistic perspectives could have been included. However, as the authors recognize in the Introduction, this collection is aimed at stimulating further reviews of the arena of map studies, and it surely succeeds in encouraging similar initiatives that showcase the complex and fascinating facets of current cartographic research.
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来源期刊
CiteScore
2.60
自引率
10.00%
发文量
26
期刊介绍: The Cartographic Journal (first published in 1964) is an established peer reviewed journal of record and comment containing authoritative articles and international papers on all aspects of cartography, the science and technology of presenting, communicating and analysing spatial relationships by means of maps and other geographical representations of the Earth"s surface. This includes coverage of related technologies where appropriate, for example, remote sensing, geographical information systems (GIS), the internet and global positioning systems. The Journal also publishes articles on social, political and historical aspects of cartography.
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