{"title":"加入祖国艺术的力量:从艺术合作,视觉文件,设计和排版的角度来看,东seeprovinzen的Jahrbuch fr bildende Kunst (1907-1913)","authors":"Kristiāna Ābele","doi":"10.37522/aaav.101.2021.69","DOIUrl":null,"url":null,"abstract":"\n\n\nThe article is the first attempt to give a focused analysis of the annual art and architecture periodical Jahrbuch für bildende Kunst in den Ostseeprovinzen that was published by the Riga Society of Architects in 1907–1913 (since 1911 as Jahrbuch der bildenden Kunst in den Ostseeprovinzen). The main aspects of interpretation include the aesthetic programme of this yearbook and a chronology of its implementation, prehistory, models and context, qualities of design and typography, identity of designers, highlights of the visual and textual content, scope of and gaps in national and regional representation, as well as influence on other initiatives in the field of art periodicals.\n\n\n","PeriodicalId":36620,"journal":{"name":"Acta Academiae Artium Vilnensis","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Joining Forces for the Art of the Homeland: The Jahrbuch für bildende Kunst in den Ostseeprovinzen (1907–1913) from the Perspectives of Artistic Collaboration, Visual Documentation, Design and Typography\",\"authors\":\"Kristiāna Ābele\",\"doi\":\"10.37522/aaav.101.2021.69\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n\\n\\nThe article is the first attempt to give a focused analysis of the annual art and architecture periodical Jahrbuch für bildende Kunst in den Ostseeprovinzen that was published by the Riga Society of Architects in 1907–1913 (since 1911 as Jahrbuch der bildenden Kunst in den Ostseeprovinzen). The main aspects of interpretation include the aesthetic programme of this yearbook and a chronology of its implementation, prehistory, models and context, qualities of design and typography, identity of designers, highlights of the visual and textual content, scope of and gaps in national and regional representation, as well as influence on other initiatives in the field of art periodicals.\\n\\n\\n\",\"PeriodicalId\":36620,\"journal\":{\"name\":\"Acta Academiae Artium Vilnensis\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Academiae Artium Vilnensis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37522/aaav.101.2021.69\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Academiae Artium Vilnensis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37522/aaav.101.2021.69","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章首次尝试对里加建筑师协会于1907年至1913年出版的年度艺术和建筑期刊《Jahrbuch-fuêr bildende Kunst in den Ostseeprovinzen》进行重点分析(自1911年以来,该期刊名为《Jahrbusch-der bilden-Kunst inden Ostspeeprovinzen》)。解读的主要方面包括本年鉴的美学计划及其实施年表、史前史、模型和背景、设计和排版的质量、设计师的身份、视觉和文本内容的亮点、国家和地区代表性的范围和差距,以及对艺术期刊领域其他举措的影响。
Joining Forces for the Art of the Homeland: The Jahrbuch für bildende Kunst in den Ostseeprovinzen (1907–1913) from the Perspectives of Artistic Collaboration, Visual Documentation, Design and Typography
The article is the first attempt to give a focused analysis of the annual art and architecture periodical Jahrbuch für bildende Kunst in den Ostseeprovinzen that was published by the Riga Society of Architects in 1907–1913 (since 1911 as Jahrbuch der bildenden Kunst in den Ostseeprovinzen). The main aspects of interpretation include the aesthetic programme of this yearbook and a chronology of its implementation, prehistory, models and context, qualities of design and typography, identity of designers, highlights of the visual and textual content, scope of and gaps in national and regional representation, as well as influence on other initiatives in the field of art periodicals.