锤击时间！

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349427

J. Lange

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引用次数: 0

摘要

这本回忆录讲述了芭芭拉·哈默与韦克斯纳艺术中心及其电影/视频工作室驻场项目的关系，该项目在1994年至2018年间支持了她的一些电影。它为哈默的最后一部作品《证据体》（2018）从单通道视频到多通道视频装置的演变提供了一些个人见解。作者描述了在哈默生命的最后一年与她合作的情况，并解释了2019年在韦克斯纳艺术中心举办的展览《芭芭拉·哈默：在这个身体里》的组织过程，该展览首次展出了《证据身体》的装置作品，还包括其他媒介的其他作品，并在哈默的整个职业生涯中围绕疾病、衰老和死亡主题创作。

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Hammertime!

This memoir recounts Barbara Hammer's relationship to the Wexner Center for the Arts and its Film/Video Studio residency program, which supported a number of her films between 1994 and 2018. It offers some personal insight into the evolution of Hammer's final work, Evidentiary Bodies (2018), from single-channel video to multichannel video installation. The author describes working with Hammer during the last year of her life and explains the process of organizing the 2019 exhibition Barbara Hammer: In This Body at the Wexner Center for the Arts, which premiered the installation of Evidentiary Bodies and included additional works in other mediums and made throughout Hammer's career around themes of illness, aging, and death.

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.