{"title":"Gaddi画廊的全家福:NiccolåGaddi佛罗伦萨收藏的Pittori dello Studiolo","authors":"Mariaelena Floriani","doi":"10.1093/jhc/fhad007","DOIUrl":null,"url":null,"abstract":"\n This article presents ‘prolegomena’ to a deeper study of picture collecting and portraiture in Florence through the lens of Niccolò Gaddi’s commissions between 1560 and 1591. Originating in the lost gallery in Casa dell’Orto, fifteen portraits are isolated here, for the first time, as having formed the nucleus of the collection that belonged to Niccolò. Partly comprising hitherto unpublished paintings, they allow for an analysis of provenances and the subjects’ dynastic history that sheds light on the commissions of Niccolò and his family members. This represents a first step in the reconstruction of one of the most important private collections in Florence associated with the court of Francesco I and Ferdinando I de’ Medici. Moreover, the micro-case of Gaddi’s ‘quadreria familiare’ may lead to a better understanding of portrait painting in the circle of the ‘Pittori dello Studiolo’, greatly beloved by this ‘gentilhuomo privato con ambizioni da qualsivoglia principe’.","PeriodicalId":44098,"journal":{"name":"Journal of the History of Collections","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Family portraits from the lost Gaddi gallery: The Pittori dello Studiolo in the Florentine collection of Niccolò Gaddi\",\"authors\":\"Mariaelena Floriani\",\"doi\":\"10.1093/jhc/fhad007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article presents ‘prolegomena’ to a deeper study of picture collecting and portraiture in Florence through the lens of Niccolò Gaddi’s commissions between 1560 and 1591. Originating in the lost gallery in Casa dell’Orto, fifteen portraits are isolated here, for the first time, as having formed the nucleus of the collection that belonged to Niccolò. Partly comprising hitherto unpublished paintings, they allow for an analysis of provenances and the subjects’ dynastic history that sheds light on the commissions of Niccolò and his family members. This represents a first step in the reconstruction of one of the most important private collections in Florence associated with the court of Francesco I and Ferdinando I de’ Medici. Moreover, the micro-case of Gaddi’s ‘quadreria familiare’ may lead to a better understanding of portrait painting in the circle of the ‘Pittori dello Studiolo’, greatly beloved by this ‘gentilhuomo privato con ambizioni da qualsivoglia principe’.\",\"PeriodicalId\":44098,\"journal\":{\"name\":\"Journal of the History of Collections\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-04-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the History of Collections\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/jhc/fhad007\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the History of Collections","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/jhc/fhad007","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文通过尼科洛·加迪1560年至1591年间的委托,对佛罗伦萨的图片收藏和肖像画进行了更深入的研究。源于Casa dell‘Orto失落的画廊,15幅肖像画首次在这里被孤立,因为它们构成了属于尼科洛的藏品的核心。它们部分由迄今未出版的画作组成,可以分析来源和受试者的王朝历史,从而揭示尼科洛及其家族成员的委托。这是重建佛罗伦萨最重要的私人藏品之一的第一步,该藏品与弗朗切斯科一世和费迪南多·德美第奇的宫廷有关。此外,Gaddi的“quadreria family”的微观案例可能会让我们更好地理解“Pittori dello Studiolo”圈子里的肖像画,他深受这位“gentilhuomo privato con ambizioni da qualsivoglia principle”的喜爱。
Family portraits from the lost Gaddi gallery: The Pittori dello Studiolo in the Florentine collection of Niccolò Gaddi
This article presents ‘prolegomena’ to a deeper study of picture collecting and portraiture in Florence through the lens of Niccolò Gaddi’s commissions between 1560 and 1591. Originating in the lost gallery in Casa dell’Orto, fifteen portraits are isolated here, for the first time, as having formed the nucleus of the collection that belonged to Niccolò. Partly comprising hitherto unpublished paintings, they allow for an analysis of provenances and the subjects’ dynastic history that sheds light on the commissions of Niccolò and his family members. This represents a first step in the reconstruction of one of the most important private collections in Florence associated with the court of Francesco I and Ferdinando I de’ Medici. Moreover, the micro-case of Gaddi’s ‘quadreria familiare’ may lead to a better understanding of portrait painting in the circle of the ‘Pittori dello Studiolo’, greatly beloved by this ‘gentilhuomo privato con ambizioni da qualsivoglia principe’.
期刊介绍:
The Journal of the History of Collections is dedicated to providing the clearest insight into all aspects of collecting activity. For centuries collecting has been the pursuit of princes and apothecaries, scholars and amatuers alike. Only recently, however, has the study of collections and their collectors become the subject of great multidisciplinary interest. The range of the Journal of the History of Collections embraces the contents of collections, the processes which initiated their formation, and the circumstances of the collectors themselves. As well as publishing original papers, the Journal includes listings of forthcoming events, conferences, and reviews of relevant publications and exhibitions.