{"title":"论抒情诗主体的历史类型学","authors":"H. Stahl","doi":"10.1515/jlt-2017-0014","DOIUrl":null,"url":null,"abstract":"Abstract Recent theory of lyric shows no interest in the subject, because it is no longer considered a basic generic parameter of lyric poetry. Nevertheless, the subject has resurfaced in contemporary practice in a wide range of new and complex forms specific to the lyric mode. This article suggests a multilevel model for both the formal and historical analysis of the subject in contemporary lyric poetry.","PeriodicalId":42872,"journal":{"name":"Journal of Literary Theory","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2017-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/jlt-2017-0014","citationCount":"7","resultStr":"{\"title\":\"Towards a Historical Typology of the Subject in Lyric Poetry\",\"authors\":\"H. Stahl\",\"doi\":\"10.1515/jlt-2017-0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Recent theory of lyric shows no interest in the subject, because it is no longer considered a basic generic parameter of lyric poetry. Nevertheless, the subject has resurfaced in contemporary practice in a wide range of new and complex forms specific to the lyric mode. This article suggests a multilevel model for both the formal and historical analysis of the subject in contemporary lyric poetry.\",\"PeriodicalId\":42872,\"journal\":{\"name\":\"Journal of Literary Theory\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2017-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1515/jlt-2017-0014\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Literary Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/jlt-2017-0014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Literary Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/jlt-2017-0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Towards a Historical Typology of the Subject in Lyric Poetry
Abstract Recent theory of lyric shows no interest in the subject, because it is no longer considered a basic generic parameter of lyric poetry. Nevertheless, the subject has resurfaced in contemporary practice in a wide range of new and complex forms specific to the lyric mode. This article suggests a multilevel model for both the formal and historical analysis of the subject in contemporary lyric poetry.
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