从女孩到劳雷尔（或如何成为一棵树）：理查德·施特劳斯和约瑟夫·格雷戈的达芙妮

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY

Amaltea-Revista de MitocrItica Pub Date : 2017-09-15 DOI:10.5209/AMAL.54525

Manuel Antonio Díaz Gito

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引用次数: 1

摘要

本文的第二部分分为两部分，分析了作曲家理查德·施特劳斯和编剧约瑟夫·格雷戈尔在歌剧《达芙妮》（1938）中对达芙妮神话的广泛重新诠释，他们对尼西亚帕提尼乌斯的神话版本的使用比奥维德的神话版本更好。它的最终目的是检验施特劳斯关于他的新歌剧意义的陈述，以及作者是否通过操纵神话故事情节来实现他们的目标。

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De niña a laurel (o de cómo convertirse en árbol): Daphne de Richard Strauss y Joseph Gregor

Second part of a two-section article that analyses the extensive reinterpretation of Daphne’s myth in the opera Daphne (1938) by composer Richard Strauss and librettist Joseph Gregor, who used the version of the myth by Parthenius of Nicaea better than that by Ovid. Its ultimate aim is to examine Strauss’ statement about his new opera’s meaning and if the authors managed to achieve their objective by means of manipulating the mythical storyline.

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来源期刊

Amaltea-Revista de MitocrItica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

33 weeks

期刊介绍： Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.