内稳态与灭绝:蒋德昌的“呼气”

IF 0.3 3区 文学 0 LITERATURE
Jean-Thomas Tremblay
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引用次数: 0

摘要

2008年的科幻短篇小说《呼气》(Exhalation)以一句老生常谈开头,作者是这一类型和形式的大师蒋(Ted Chiang),反驳道:“长期以来,人们一直认为空气(其他人称之为氩)是生命的来源。事实并非如此,我刻下这些文字是为了描述我是如何理解生命的真正来源的,以及作为必然结果,生命有一天会以何种方式结束的”(37)。叙述者的承诺是如此诱人——知道生命的起源,知道生命的到期,以及知道两者之间的关系——以至于我们忽视了括号是可以原谅的。氩的含量不到地球大气层中空气的百分之一。叙述者指定“其他人称[空气]为氩气”,其他人可能住在叙述者所在的地方,也可能不住在那里。不管怎样,蒋介石已经把我们送到别处去了。具体在哪里?在一个由不同于地球的参数和约束所支配的世界里,但我们可以识别——也就是说,“呼气”是一个思想实验。如果我们被邀请思考,吸气和呼气是不同的过程,而不是自主、自我生成和生态循环中不可分割的阶段,会怎么样?蒋切断了身体的吸气,使之成为严格的机械吸气。相比之下,呼气仍然是身体的领域;个人参与这项活动,不管他们在做什么。无实体的吸气将资源提取文学化,而有实体的呼气则是一个与实现某种平衡或稳态共同延伸的灭绝过程。也许出乎意料的是,灭绝的呼气掌握着未来的关键,这将使彻底毁灭和毁灭的歌剧黯然失色。“呼气,”我建议,打开一个人类持久性的地平线,取决于人类的疲惫。“呼气”中的所有肺都是人造的。至少在我们看来是这样;在故事的世界里,它们并没有被视为“真实”器官的复制品。每天,所有类人物种的成员
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Homeostasis and Extinction: Ted Chiang's "Exhalation"
“Exhalation,” a 2008 science fiction short story by Ted Chiang, virtuoso of the genre and the form, begins with a truism, refuted: “It has long been said that air (which others call argon) is the source of life. This is not in fact the case, and I engrave these words to describe how I came to understand the true source of life and, as a corollary, the means by which life will one day end” (37). The narrator’s promise is so alluring— knowledge of life’s origin, knowledge of its expiration, and knowledge of the relation between the two—that we may be forgiven for overlooking the parenthetical. Argon amounts to less than one percent of the air breathed within Earth’s atmosphere. The narrator specifies that “others call [air] argon,” others who may or may not live where the narrator does. In any case, Chiang has transported us elsewhere. Where, exactly? In a world governed by parameters and constraints distinct from Earth’s, yet recognizable to us—which is to say that “Exhalation” is a thought experiment. What if, we are invited to contemplate, inhalation and exhalation were distinct processes, rather than inseparable phases of an autonomic, autopoietic, and ecological cycle? Chiang severs inhalation from bodies, rendering it strictly mechanical. Exhalation, by contrast, remains the province of bodies; individuals partake in this activity whatever else they may be doing. The disembodied inhale literalizes resource extraction, and the embodied exhale a process of extinction coextensive with the achievement of a certain equilibrium or homeostasis. Perhaps unexpectedly, the extinctive exhale holds the key to a future that deflates operas of total destruction and annihilation. “Exhalation,” I propose, unlocks a horizon of human persistence contingent on Man’s exhaustion. All lungs in “Exhalation” are artificial. They at least appear so to us; within the world of the story, they are not seen as replicas of “actual” organs. Every day, all members of the humanoid species to
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来源期刊
SUB-STANCE
SUB-STANCE LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
21
期刊介绍: SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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