济州岛民旅游文学的奠基史

Q2 Arts and Humanities
Tommy Tran
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引用次数: 1

摘要

摘要:济州岛纪行是一种新兴的小型学术旅行文学,它将济州岛视为一种存在于特定时空或位置的文体。在济州的旅游业占主导地位的情况下写作,kihaeng作家强调与地方的接触是一个有利的位置,从中人们不仅可以恢复长期被忽视或压抑的主体性,而且还可以拒绝韩国同质性的概念。本文将介绍济州历史学家兼高中教师李某Yŏngkwŏn、记者金某Hyŏnghun、前济州教育厅厅长文某Yŏngt泽等人的著作。虽然这三位作者的总体目标都是从济州岛人的角度来写启行文学,但他们的范围和兴趣表明,他们在回应或批评21世纪初以来济州岛文化旅游的趋势时,在将历史建立在岛屿地理基础上的方法是重叠的,有时是不同的。这三位作者对当地历史的处理以及作为济州人的身份意味着什么,揭示了多重复杂的层面,以及如何开始定义和质疑济州人(Chejudodaun)概念的焦虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Grounding History in Cheju Islanders' Travel Literature
abstract:Cheju kihaeng, a small yet growing genre of academicized travel writing, looks at Cheju Island as existing in a liminal time and space or as a position. Writing amidst as well as against tourism's dominance on Cheju, kihaeng writers emphasize engagement with localities as vantage points from which one can not only recover long-ignored or suppressed subjectivities but also reject notions of Korean homogeneity. This article examines the books of Cheju historian and high school teacher Yi Yŏngkwŏn, journalist Kim Hyŏnghun, and former Provincial Office of Education director Mun Yŏngt'aek. Although these three authors share the overall objective of writing kihaeng literature from a Cheju islander's perspective, their scope and interests demonstrate overlapping and sometimes divergent approaches to grounding history in the island's geography as they respond to or criticize trends in Cheju cultural tourism since the early 2000s. These three authors' treatment of local history and what it means to identify as a Cheju person reveals multiple complex layers and anxieties about how to begin to define as well as interrogate a notion of the Chejudodaun (Cheju-esque).
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