2020莱昂纳多和莱昂纳多音乐期刊作者索引

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI:10.1162/lmj_a_01107

D. D. Clark

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ANDERSON, GEMMA; VERD, BERTA; and JAEGER, JOHANNES. “Drawing to Extend Waddington’s Epige netic Landscape,” Leonardo 53, No. 3 (2020). ANTONOVA, CLEMENA. “Non-Euclidean Geometry in Russian Art History: On a Little-Known Application of a Scientific Theory,” Leonardo 53, No. 3 (2020). APOSTOLIDES, NIK. Introduction and Art Gallery, Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). ASHFORD, RAIN. “Responsive and Emotive Wearable Tech: Physiological Data, Devices and Communication,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “Earth Day, Regeneration and Arts-SciTech,” Leonardo 53, No. 2 (2020). AYTON-SHENKER, DIANA. “Earth, rise!” Leonardo 53, No. 3 (2020). AYTON-SHENKER, DIANA. “The Great Awakening: Are We Up to the Challenge?” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “The Leo nardo COVID-19 Diaries,” Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Adaptation and Convergence of Media: “High” Cultural Intermediality versus Popular Culture Intermediality, edited by Lily Díaz, Magda Dragu and Leena Elittä, Leonardo 53, No. 3 (2020). BAETENS, JAN. Review of Chromo graphia: American Literature and the Modernization of Color by Nicholas Gaskill, Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Designing an Internet by David D. Clark, Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Electronic Lit erature by Scott Rettberg, Leonardo 53, No. 1 (2020). BAETENS, JAN. Review of A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century by Andrei Pop, Leonardo 53, No. 5 (2020). BAETENS, JAN. Review of Gramma lepsy: Essays on Digital Language Art by John Cayley, Leonardo 53, No. 1 (2020). BAETENS, JAN. Review of Sensations of History: Animation and New Media Art by James J. Hodge, Leonardo 53, No. 5 (2020). BAETENS, JAN. Review of The Super market of the Visible: Toward a General Economy of Images by Peter Szendy; translated by Jan Plug, Leonardo 53, No. 3 (2020). BAETENS, JAN. Review of The Technol ogy Fallacy: How People Are the Real Key to Digital Transformation, edited by Gerald C. Kane, Anh Nguyen Phillips, Jonathan R. Copulsky and Garth R. Andrus, Leonardo 53, No. 3 (2020). BAN, SEONGHOON and HYUN, KYUNG HOON. “Pixel of Matter: New Ways of Seeing with an Active Volumetric Filmmaking System,” Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). BARBER, JOHN F. Review of Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner, Leonardo 53, No. 3 (2020). BARBER, JOHN F. Review of Sound Art Revisited by Alan Licht, Leonardo 53, No. 5 (2020). BARBER, JOHN F. 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AH-MER-AH-SU. “Meg Ryan,” audio track, “LMJ30 Audio Companion,” Leonardo Music Journal 30 (2020). AHRNT, JANNA. “Deconstruct and Dissent: Subversive Technologies for the Modern Militant,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). ALESSANDRINI, PATRICIA. “A little bit of noise,” in “Scientific Delirium Madness 6.0” Gallery section, Leonardo 53, No. 3 (2020). AMELOT, PIERRE; HWONG, JOHN; and MCMANUS, KATE. “Vijks: Hidden Dimensions,” in Special Section “IEEE VIS 2016 and 2017 Arts Program Gallery,” Leonardo 53, No. 1 (2020). ANDERSON, GEMMA; VERD, BERTA; and JAEGER, JOHANNES. “Drawing to Extend Waddington’s Epige netic Landscape,” Leonardo 53, No. 3 (2020). ANTONOVA, CLEMENA. “Non-Euclidean Geometry in Russian Art History: On a Little-Known Application of a Scientific Theory,” Leonardo 53, No. 3 (2020). APOSTOLIDES, NIK. Introduction and Art Gallery, Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). ASHFORD, RAIN. “Responsive and Emotive Wearable Tech: Physiological Data, Devices and Communication,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “Earth Day, Regeneration and Arts-SciTech,” Leonardo 53, No. 2 (2020). AYTON-SHENKER, DIANA. “Earth, rise!” Leonardo 53, No. 3 (2020). AYTON-SHENKER, DIANA. “The Great Awakening: Are We Up to the Challenge?” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “The Leo nardo COVID-19 Diaries,” Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Adaptation and Convergence of Media: “High” Cultural Intermediality versus Popular Culture Intermediality, edited by Lily Díaz, Magda Dragu and Leena Elittä, Leonardo 53, No. 3 (2020). BAETENS, JAN. 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Kane, Anh Nguyen Phillips, Jonathan R. Copulsky and Garth R. Andrus, Leonardo 53, No. 3 (2020). BAN, SEONGHOON and HYUN, KYUNG HOON. “Pixel of Matter: New Ways of Seeing with an Active Volumetric Filmmaking System,” Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). BARBER, JOHN F. Review of Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner, Leonardo 53, No. 3 (2020). BARBER, JOHN F. Review of Sound Art Revisited by Alan Licht, Leonardo 53, No. 5 (2020). BARBER, JOHN F. Review of Tokyo Listening: Sound and Sense in a Con temporary City by Lorraine Plourde, Leonardo 53, No. 3 (2020). BARREIRO LOPEZ, PAULA. “Antes del Arte in Spain (1968–1969): Merging Art, Science and Politics in the Heat of the Cold War,” Leonardo 53, No. 3 (2020). 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引用次数: 0

摘要

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2020 Leonardo and Leonardo Music Journal Author Index

Side Venus: The Legacy of Margaret Burroughs by Mary Ann Cain, Leo nardo 53, No. 2 (2020). ADELMAN, CLEMENT. “Chance in Art and Biology,” Leonardo 53, No. 1 (2020). AGGARWAL, VIDHU. “Radioactive Unicorn,” in “Scientific Delirium Madness 6.0” Gallery section, Leo nardo 53, No. 3 (2020). AH-MER-AH-SU. “Meg Ryan,” audio track, “LMJ30 Audio Companion,” Leonardo Music Journal 30 (2020). AHRNT, JANNA. “Deconstruct and Dissent: Subversive Technologies for the Modern Militant,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). ALESSANDRINI, PATRICIA. “A little bit of noise,” in “Scientific Delirium Madness 6.0” Gallery section, Leonardo 53, No. 3 (2020). AMELOT, PIERRE; HWONG, JOHN; and MCMANUS, KATE. “Vijks: Hidden Dimensions,” in Special Section “IEEE VIS 2016 and 2017 Arts Program Gallery,” Leonardo 53, No. 1 (2020). ANDERSON, GEMMA; VERD, BERTA; and JAEGER, JOHANNES. “Drawing to Extend Waddington’s Epige netic Landscape,” Leonardo 53, No. 3 (2020). ANTONOVA, CLEMENA. “Non-Euclidean Geometry in Russian Art History: On a Little-Known Application of a Scientific Theory,” Leonardo 53, No. 3 (2020). APOSTOLIDES, NIK. Introduction and Art Gallery, Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). ASHFORD, RAIN. “Responsive and Emotive Wearable Tech: Physiological Data, Devices and Communication,” in Special Section “Top-Rated LABS Abstracts 2019,” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “Earth Day, Regeneration and Arts-SciTech,” Leonardo 53, No. 2 (2020). AYTON-SHENKER, DIANA. “Earth, rise!” Leonardo 53, No. 3 (2020). AYTON-SHENKER, DIANA. “The Great Awakening: Are We Up to the Challenge?” Leonardo 53, No. 5 (2020). AYTON-SHENKER, DIANA. “The Leo nardo COVID-19 Diaries,” Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Adaptation and Convergence of Media: “High” Cultural Intermediality versus Popular Culture Intermediality, edited by Lily Díaz, Magda Dragu and Leena Elittä, Leonardo 53, No. 3 (2020). BAETENS, JAN. Review of Chromo graphia: American Literature and the Modernization of Color by Nicholas Gaskill, Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Designing an Internet by David D. Clark, Leonardo 53, No. 2 (2020). BAETENS, JAN. Review of Electronic Lit erature by Scott Rettberg, Leonardo 53, No. 1 (2020). BAETENS, JAN. Review of A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century by Andrei Pop, Leonardo 53, No. 5 (2020). BAETENS, JAN. Review of Gramma lepsy: Essays on Digital Language Art by John Cayley, Leonardo 53, No. 1 (2020). BAETENS, JAN. Review of Sensations of History: Animation and New Media Art by James J. Hodge, Leonardo 53, No. 5 (2020). BAETENS, JAN. Review of The Super market of the Visible: Toward a General Economy of Images by Peter Szendy; translated by Jan Plug, Leonardo 53, No. 3 (2020). BAETENS, JAN. Review of The Technol ogy Fallacy: How People Are the Real Key to Digital Transformation, edited by Gerald C. Kane, Anh Nguyen Phillips, Jonathan R. Copulsky and Garth R. Andrus, Leonardo 53, No. 3 (2020). BAN, SEONGHOON and HYUN, KYUNG HOON. “Pixel of Matter: New Ways of Seeing with an Active Volumetric Filmmaking System,” Leonardo Special Issue: SIGGRAPH 2020 Art Papers and Mediating Public Space Art Gallery, Leonardo 53, No. 4 (2020). BARBER, JOHN F. Review of Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s, edited by David Cateforis, Steven Duval, and Shepherd Steiner, Leonardo 53, No. 3 (2020). BARBER, JOHN F. Review of Sound Art Revisited by Alan Licht, Leonardo 53, No. 5 (2020). BARBER, JOHN F. Review of Tokyo Listening: Sound and Sense in a Con temporary City by Lorraine Plourde, Leonardo 53, No. 3 (2020). BARREIRO LOPEZ, PAULA. “Antes del Arte in Spain (1968–1969): Merging Art, Science and Politics in the Heat of the Cold War,” Leonardo 53, No. 3 (2020). BASU, SHARMI. “Freelancer’s Jest or Sorry I’m A Fuckup,” audio track, “LMJ30 Audio Companion,” Leo nardo Music Journal 30 (2020). BELOFF, LAURA. “The Hearing Test: Evidence of a Vegetal Entity in Special Section “Re:sound—Media Art Histories 2019,” Leonardo Music Journal 30 (2020). BENJAMIN, GARFIELD. “Indistinguishable from Magic: Perception, Knowledge, Technology, Art,” Leonardo 53, No. 5 (2020). BOKARIS, PANAGIOTIS-ALEXANDROS; GOUIFFÈS, MICHELE; CAYE,VÉRONIQUE; CHOMAZ, JEAN-MARC; and JACQUEMIN, CHRISTIAN. “Gardien du Temple: An Interactive Installation Involving Poetry, Performance and Spatial 2020 author index

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.