信仰即真实性:2020年京都祗园祭

IF 0.3 3区 哲学 0 RELIGION
M. Teeuwen
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引用次数: 4

摘要

2020年,新冠肺炎疫情迫使日本各地取消了公共活动。京都的祗园祭也不例外。为了保留他们所认为的节日的“真正意义”,参与祗园节的不同演员团体想出了将神灵带到城市的不同方式。在本文中,我追溯了在创作另一种节日形式的过程中出现的紧张局势。我还分析了媒体的叙述,将修改后的2020年祗园节作为信仰和祈祷的真诚表达,并对其“真正的意义”进行了独特的真实性。另类节日提供了一个引人注目的例子,表明在挑战或改变既定做法和传统的连续性的危机时期,真实性可以成功地构建和投射。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Faith as Authenticity: Kyoto’s Gion Festival in 2020
In 2020, the covid-19 pandemic necessitated the cancellation of public events throughout Japan. Kyoto’s Gion Festival was no exception. In an attempt to preserve what they regarded as the festival’s “true meaning,” different groups of actors involved in the Gion Festival came up with alternative ways of bringing the gods to the city. In this article, I trace the tensions that surfaced during the process of composing an alternative festival format. I also analyze media narratives that ex post presented the modified 2020 Gion Festival as a sincere expression of faith and prayer and as uniquely authentic to its “true meaning.” The alternative festival offers a striking example of ways that authenticity can be successfully constructed and projected in a time of crisis that challenges or otherwise alters the continuity of established practices and traditions.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
10
审稿时长
8 weeks
期刊介绍: The Japanese Journal of Religious Studies is a peer-reviewed journal registered as an Open Access Journal with all content freely downloadable. The journal began in 1960 as Contemporary Religions in Japan, which was changed to the JJRS in 1974. It has been published by the Nanzan Institute since 1981. The JJRS aims for a multidisciplinary approach to the study of religion in Japan, and submissions are welcomed from scholars in all fields of the humanities and social sciences. To submit a manuscript or inquiry about publishing in our journal, please contact us at the address below.
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