先验:乔叟在其原始语境中的神职人员

Q2 Arts and Humanities
E. Rose
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引用次数: 0

摘要

摘要:本文认为,早在乔叟构思将《坎特伯雷故事集》作为《隐修会的故事》之前,乔叟就已将其作为《牧师合唱团》的经典故事进行了诗歌叙事。我认为,乔叟版本的犹太人的《唱诗班》或《男孩杀手》奇迹(以及对玛丽的祈祷和对林肯“小休”的最后祈祷)是在1380年代初或中期的某个时候,由一位年轻的男孩主教为林肯大教堂唱诗班举行的圣婴节而创作的。我研究了乔叟所描绘的两种类型的配对,永恒的奇迹和历史记录,更深入地质疑乔叟对13世纪休的描述的了解。最后,我提出了这些假设所提出的问题,以供进一步考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prior to the Prioress: Chaucer's Clergeon in Its Original Context
Abstract:This paper proposes that Chaucer first wrote his verse narrative of the classic story of The Chorister as the Clergeon, long before he conceived of putting it in the Canterbury Tales as The Prioress's Tale. I suggest that Chaucer's version of the miracle of The Chorister or The Boy Slain by Jews (along with the invocation to Mary and the concluding prayer to "little Hugh" of Lincoln) was composed for Holy Innocents' Day to be delivered in the choir of Lincoln Cathedral by a young boy-bishop sometime in the early or mid-1380s. I examine the pairing of two genres on which Chaucer drew, timeless miracle and historical record, questioning more closely Chaucer's knowledge of the account of the thirteenth-century Hugh. I conclude with questions that these hypotheses suggest for further consideration.
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来源期刊
Studies in the Age of Chaucer
Studies in the Age of Chaucer Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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