和谐农村土著家庭:梅斯蒂萨性别受托人与墨西哥农村的性别现代化

Raquel Pacheco
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引用次数: 0

摘要

2018年的电影《罗马》(Roma)普及了这样一种观点,即家务劳动是女性雇主和雇员在面对生殖劳动被贬谪到女性身上时可以相互支持的场所。在墨西哥华斯特卡地区为纳华男女提供的讲习班中,我们可以听到这种叙述的回声,这些讲习班是由我所谓的性别受托人举办的,他们致力于使农村男女现代化。这种现代化被认为是性别的进步——男人和女人开始重新分配家务,并采用双职工的婚姻模式,在这种模式下,妇女外出工作,而不是做农妇或家庭主妇。因此,这些女权主义的好概念与新自由主义的现代化叙事表现出一种亲近感,这种叙事试图将墨西哥农村人口从小规模农业转移到经济的服务和加工厂。土著妇女家庭佣工的非性别化经历表明,对罗姆人的主流解释所概括的姐妹叙事,以及有偿工作使妇女与-à-vis平等的想法,她们的丈夫继续美化和委婉化高度性别化和种族化的移民殖民劳工领域,即家庭佣工。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Harmonizing the rural Indigenous family: Mestiza gender trustees and the gendered modernization of rural Mexico

The 2018 film Roma popularized the idea that domestic work is a site through which female employers and employees can support one another as they confront the relegation of reproductive labor to women. Echoes of this narrative can be heard in the workshops provided to Nahua men and women of the Huasteca region of Mexico by what I call gender trustees who are bent on modernizing rural men and women. This modernization is imagined as gender progress—one in which men and women come to redistribute housework and to adopt a dual earning marital model in which women work outside the home rather than as peasant women or housewives. These feminist notions of the good, therefore, demonstrate an affinity with neoliberal narratives of modernization that seek to move the Mexican rural population away from small-scale farming and into the service and maquila sectors of the economy. The ungendering experiences of Indigenous women domestic workers suggest that both the sororal narrative epitomized by the dominant interpretation of Roma as well as the idea that paid work makes women equal vis-à-vis their husbands continue to sanitize and euphemize the highly gendered and racialized and settler colonial labor niche which is domestic work.

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