通过自拍延续美丽神话

Mayda Putri Setyastuti, Manik Sunuantari
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引用次数: 0

摘要

自拍是当今数字时代最能代表流行文化的现象。使用带有前置摄像头的智能手机和社交媒体的趋势导致每天仅android手机就产生9300万张自拍(Brandt, 2014)。事实上,自拍并不是完全自发和真实的。自拍经历了一系列的制作和管理过程,以各种方式展现出一个人的“最佳版本”。人们意识到在社交媒体上分享的自拍会被别人看到,甚至被别人评论,这促使人们采取各种方式在网上“提升”自己的形象。改善自拍形象的一种方法是进行自拍编辑。这种做法已经被实践并被广泛接受。自拍编辑是在将自拍上传到社交媒体平台(尤其是Instagram)和分享之前,对其进行完善的过程。Instagram是目前用户发布自拍和其他摄影内容最受欢迎的社交媒体平台。本文试图通过查尔斯·霍顿·库利的“镜子自我”概念,将自拍编辑现象解释为一种个人努力管理印象的行为。这项研究是定性的,即通过对Instagram上有影响力的线人进行深入采访,并观察和分析每个有影响力的Instagram账户上发布的自拍和照片。本研究的三个账号是@cindaranii, @indripurwandari和@ipehkhalifah。这三名用户一直在他们的Instagram上发布各种各样的自拍和自画像,因为他们在Instagram上有成千上万的粉丝。研究结果表明,自拍经历了一些特定的、有组织的过程,可以分为3个阶段:前期制作、生产和后期制作。这些过程表明,一张自拍在上传到Instagram之前需要满足一些标准。这项研究还发现,自拍编辑或照片编辑是肯定的,但这样的编辑和修改过程应该呈现出自然而轻松的外观,尽可能不做作。这表明,尽管互联网和社交媒体通常被视为自由民主的媒介,但自拍编辑不仅是社交媒体上的一种印象管理形式,也是一种根据美的神话进行的审查行为。关键词:自拍,自拍编辑,镜子自我,自我审查,美丽神话引用这篇文章(第七APA风格):Putri, M., & Sunuantari, M.(2021)。通过自拍编辑让美丽神话永存。[j] .通信频谱:捕捉通信新视角,11 (1),xx-xx。http://dx.doi.org/10.36782/10.36782/jcs.v1i1.2128
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PERPETUATING BEAUTY MYTH THROUGH SELFIE-EDITING
Selfie is a phenomenon that best represents popular culture in today's digital era. The trend in the use of smartphones with front cameras and social media has contributed to the creation of 93 million selfies per day from Android-based phones alone (Brandt, 2014). In fact, selfies are not something completely spontaneous and authentic. Selfies go through a series of processes of production and curation in various ways to bring out the 'best version' of a person. The awareness that selfies shared via social media will be seen, even commented on by others, makes individuals take a number of ways to 'enhance' their appearance virtually. One way to improve the appearance of yourself on a selfie is to do selfie-editing. This practice has been practiced and widely accepted. Selfie-editing is the process of perfecting selfies before they are uploaded and shared via social media platforms, especially Instagram. Instagram is currently the most popular social media platform for users to publish their selfie and other photographic contents. This article attempts to explain the selfie-editing phenomenon as an individual effort to manage impressions through the concept of looking-glass self by Charles Horton Cooley. The research was conducted qualitatively, namely by conducting in-depth interviews with informants who are influencers on Instagram, as well as observing and analyzing selfies and photos published in each of the influencers' Instagram accounts. The three accounts that had been the object of this research are @cindaranii, @indripurwandari, and @ipehkhalifah. The three users consistently posted their selfies and self-portraits with various arrangements in their Instagram feeds, as they have thousands of Instagram followers. The findings show that selfies undergo some specific and organized process which can be classified into 3 phases: Pre-production, Production, and Post-Production. These processes indicate that a selfie needs to meet some criteria prior to its uploads in Instagram. This study also found that selfie-editing or photo-editing is certain, but such editing and modification process should deliver a natural and effortless look, the least fabricated it could be. This indicates that selfie-editing is not only a form of impression management on social media, but also a form of censorship action according to the myth of beauty, even though the internet and social media are often perceived as a free and democratic medium. Keywords: Selfie, Selfie-editing, Looking-glass self, Self-censorship, Beauty Myth To cite this article (7 th APA style): Putri, M., & Sunuantari, M. (2021). Perpetuating Beauty Myth through Selfie-Editing . Journal Communication Spectrum: Capturing New Perspectives in Communication, 11 (1), xx-xx. http://dx.doi.org/10.36782/10.36782/jcs.v1i1.2128
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