论霍克犯罪小说中的Uncanny

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Leitgeb
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引用次数: 0

摘要

摘要:田园诗般的海马特隐藏的深处,被压抑的过去/历史的回归,无法用语言表达的东西的再现:关于奥地利犯罪小说中典型的奥地利人的讨论隐含地围绕着神秘的功能展开。儿童和青少年精神病学家兼作家Paulus Hochgatter在这些讨论中的突出地位是有道理的。他的侦探三部曲包括“省级犯罪小说”类型,以及有意识地参与精神分析和文学抱负。这三部文本都有意将自己置于传统分析侦探小说和惊悚小说的类型惯例之外。这篇文章分析了叙事张力和支撑霍克加特尔情节的离奇之间的区别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Uncanny in Paulus Hochgatterer's Crime Fiction
Abstract:The hidden depths of an idyllic Heimat, the return of a repressed past/history, the representation of that which cannot easily be put into words: discussions about what is typically Austrian in Austrian crime fiction implicitly revolve around the function of the uncanny. Child and adolescent psychiatrist and author Paulus Hochgatterer is justifiably prominent in these discussions. His detective trilogy encompasses the genre of ‘provincial crime fiction’ as well as conscious engagement with psychoanalysis and literary aspirations. All three texts deliberately position themselves outside the genre conventions of traditional analytical detective novels and thrillers. This article analyses the distinction between narrative tension and the uncanny which underpins Hochgatterer's plots.
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来源期刊
Austrian Studies
Austrian Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
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