回顾过去,向前迈进

IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
Janice Loreck, Sian Mitchell, Whitney Monaghan, Kirsten Stevens
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引用次数: 0

摘要

墨尔本女性电影节(MWFF)是在澳大利亚墨尔本举行的为期四天的活动,旨在支持和庆祝澳大利亚女性电影制作人的工作。该电影节于2017年启动,源于我们作为银幕学者的愿望,即提高专业和业余女性电影制作人及其作品的知名度。尽管澳大利亚有着悠久的草根和国家支持的女性创意文化历史,但女性在国内银幕行业中仍然处于边缘地位。女性电影制作人在全球电影节巡回演出中的代表性也不足。本文追溯了MWFF成立以来的策展实践。我们描述了我们在当地举办以女性为中心的电影节的方法;我们如何定义“女性”和“女性电影制作”;以及我们的节目选择如何支持我们的节日精神。我们还将我们的活动视为一个与澳大利亚女性银幕文化持续对话的活动,特别是1975年举行的一次性女性国际电影节。将我们的电影节放在这个历史背景下,我们认为回顾性放映在MWFF实现电影节目标方面发挥着特别重要的作用。我们讲述了2017年我们的首届电影节,并解释了回顾在为女性电影人留下遗产和让她们的成就为下一代所看到方面的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Looking Back, Moving Forward
The Melbourne Women in Film Festival (MWFF) is a four-day event in Melbourne, Australia, that supports and celebrates the work of Australian women filmmakers. Launched in 2017, the festival emerged from our desire as screen academics to increase the visibility of both professional and amateur women filmmakers and their work. Despite a strong history of grassroots and state-supported women’s creative cultures in Australia, women have remained marginal within the domestic screen industry. Women filmmakers are also underrepresented within the global festival circuit. This article traces the curatorial practices underpinning MWFF since its inception. We describe our approach to running a locally based, women-centered film festival; how we define “women” and “women’s filmmaking”; and how our programing choices support our festival ethos. We also contextualize our event as one that both continues and is in dialogue with women’s screen culture in Australia, particularly the one-off Women’s International Film Festival held in 1975. Locating our festival in this historical context, we argue that retrospective screenings play a particularly vital role at MWFF in achieving our festival aims. We recount our inaugural festival in 2017 and explain the significance of retrospectives in building a legacy for women filmmakers and making their achievements visible to the next generation.
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来源期刊
CAMERA OBSCURA
CAMERA OBSCURA FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
发文量
12
期刊介绍: Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.
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