破裂的信封,双壳:全球流动时代的艺术皮肤

IF 0.2 3区 艺术学 0 ART
Hava Aldouby
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引用次数: 1

摘要

摘要“破裂的信封,双层外壳”探讨了皮肤在21世纪初艺术中的存在和意义。千禧一代的艺术通过一系列有趣的媒介与皮肤接触,从兽皮到乳胶和硅。本文讨论的装置用生物和人造皮肤进行实验,转化为恋物癖的外壳,并引起当代社会文化的焦虑。本文借鉴了Didier Anzieu的皮肤自我理论作为一个有用的分析框架,允许讨论皮肤的心理和社会文化方面。AnaÁlvarez Errecalde、Nandipha Mntambo、Jessica Harrison、Wu Tien-chang、Michel Platnic、Pamela Rosenkranz和Penny Siopis的作品被分为“双壳”、“皮肤恋物癖”和“去结构化皮肤”。分析沿着两条关键路径进行。因此,一种历史特定的政治视角与对皮肤对我们身体边界触觉敏感性的现象学反思相结合。本文通过皮肤的比喻来调查全球流动的动荡,反映了在一个“另类”无处不在的时代,无论是政治、地理、种族还是种族特定的时代,受试者的“无皮肤”感。与此同时,关于具象美学的现象学话语日益增多,这引发了对基于皮肤的艺术的感官方面的反思,与身体外壳的生活体验有关。假设这些互补的关键路径之间存在协同作用,本文对七位艺术家的皮肤相关装置和视频进行了仔细分析,特别关注皮肤在全球动荡的时代是如何变得重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility
Abstract “Ruptured Envelopes, Double Shells” explores the presence and meaning of skin in art of the early twenty-first-century. Millennial art has engaged skin through an intriguing selection of media, from animal hides to latex and silicon. The installations discussed in this paper experiment with biological and artificial skins, transformed into fetishized shells and brought to bear on contemporary sociocultural anxieties. The paper draws on Didier Anzieu’s Skin-Ego theory as a useful analytical framework, allowing discussion of both psychological and sociocultural aspects of skin. Works by Ana Álvarez-Errecalde, Nandipha Mntambo, Jessica Harrison, Wu Tien-chang, Michel Platnic, Pamela Rosenkranz, and Penny Siopis are discussed under the categories of “double shells,” “skin fetishes,” and “de-structured skins.” Analysis proceeds along two critical paths. Thus, a historically-specific political perspective is coupled with a phenomenological reflection on skin’s appeal to the haptic sensibility of our bodily borders. Investigating the turbulence of global mobility through the trope of skin, the paper reflects on subjects’ sense of “skinlessness” in an age when Otherness is ubiquitous, whether it is political, geographic, ethnic, or racially specific. At the same time, the growing phenomenological discourse on embodied aesthetics invites reflection upon sensory aspects of skin-based art, in relation to the lived experience of bodily envelopes. Assuming a synergy between these complementary critical paths, the paper offers close analysis of seven artists’ skin-related installations and videos, with particular attention to how skin comes to matter in an age of global turbulence.
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CiteScore
0.50
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20.00%
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