珍爱也门:Rasūlid物质文化交流与收藏笔记

IF 0.5 3区 哲学 0 ASIAN STUDIES
E. Kenney
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引用次数: 1

摘要

献给也门、埃及或叙利亚的Rasūlid苏丹的物品通常以其特有的五瓣玫瑰花标志而闻名,长期以来一直被认为是伊斯兰艺术史上独特的语料库。无论是单独处理还是作为一个整体处理,这些物品通常被置于Mamlūk奢侈艺术讨论的边缘,或者被简单地引用为Mamlūk和Rasūlid领导层之间外交关系的证据。也许反映了在伊斯兰艺术学术的史学传统中,南阿拉伯的普遍边缘化,以帝国Mamlūk企业为中心的叙述往往掩盖了Rasūlid这些物品的背景和它们全球物质历史的复杂性。这篇文章一起探讨了这两个主题,广泛地借鉴了与Rasūlid法院相关的视觉文化来分析一些案例研究。它回顾了Rasūlid-Mamlūk语料库上的艺术史文献,反映在欧洲和北美的学术研究中,概述了这种材料交换被理解为已经发生的各种方式,探讨了Rasūlid赞助和收集这些物品的设置,并检查了它们的物质来世。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Treasuring Yemen: Notes on Exchange and Collection in Rasūlid Material Culture
Abstract Often distinguished by their characteristic five-petalled rosette emblems, objects dedicated to the Rasūlid sultans of Yemen in Egypt or Syria have long been identified as a distinct corpus in histories of Islamic art. Whether treated singly or as a group, these objects have usually been positioned in the periphery of discussions about Mamlūk luxury arts or cited briefly as evidence of diplomatic relations between the Mamlūk and Rasūlid leadership. Perhaps reflecting a general marginalization of South Arabia in the historiographic traditions of Islamic art scholarship, narratives centered on the imperial Mamlūk enterprise tend to overshadow both the Rasūlid context for these objects and the complexities of their global material histories. This essay explores these two themes together, drawing broadly on visual culture connected with the Rasūlid court to analyze a selection of case studies. It reviews art historical literature on the Rasūlid-Mamlūk corpus as reflected in European and North American scholarship, outlines the various modalities by which this material exchange is understood to have taken place, explores the setting for Rasūlid patronage and collection of such objects, and examines their material afterlives.
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来源期刊
CiteScore
0.50
自引率
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发文量
41
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