勃拉姆斯《O kkhler Wald》作品72第3号中的线性和语言句法

IF 0.5 1区艺术学 0 MUSIC

MUSIC ANALYSIS Pub Date : 2017-08-30 DOI:10.1111/MUSA.12101

Robert Snarrenberg

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引用次数: 0

摘要

本文探讨了勃拉姆斯的《奥·库勒·瓦尔德》文本和音乐中句法完成和不完成状态之间的相互作用，以及作曲家如何借此传达对诗歌文本的解释，为听众创造一种与诗歌失恋经历惊人相似的体验。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Linear and Linguistic Syntax in Brahms's O Kühler Wald, Op. 72 No. 3

This essay explores the interplay between states of syntactic completion and incompletion in the text and music of Brahms's O kuhler Wald and how the composer thereby conveys an interpretation of the poetic text to create an experience for the listener that bears a striking resemblance to the experience of the poem's lovelorn persona.

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来源期刊

MUSIC ANALYSIS MUSIC-

CiteScore

0.60

自引率

75.00%

发文量

期刊介绍： Music Analysis is the international forum for the presentation of new writing focused on musical works and repertoires. Through articles of this kind and through its lively Critical Forum, it also aims to take forward debates concerning the relationship of technical commentary on music with music theory, critical theory, music history and the cognitive sciences. Music Analysis is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist.