Marie Høeg的世界制造摄影:摄影随笔

IF 0.4 4区 社会学 0 ART
K.J. Rawson, Nicole Tantum
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引用次数: 0

摘要

玛丽·霍格(Marie Høeg)生活在1866-1949年,是一位挪威摄影师和女权活动家。在这篇照片文章中,作者展示了六张描绘玛丽·霍格性别越轨场景的照片。这些照片是20世纪80年代从Høeg曾与她的女性伴侣Bolette Berg居住的一处房产中发现的30多张照片中的几张。这些照片与Berg&Høeg专业工作室常见的传统风景和肖像画不同,让我们得以一窥Høeg在20世纪初顽皮的自我表达。这篇照片文章不仅探讨了这些图像的文献价值,还探讨了它们引发的可见性、隐私和流通道德等重要考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marie Høeg’s worldmaking photography: a photo essay
Marie Høeg, who lived from 1866–1949, was a Norwegian photographer and activist for women’s rights. In this photo essay, the authors feature six photographs depicting Marie Høeg in gender transgressive scenes. These photographs are a few of more than 30 that were recovered in the 1980s from a property where Høeg once lived with her female partner, Bolette Berg. Standing out from the traditional landscapes and portraits that were common for the professional studio of Berg & Høeg, these photographs provide a glimpse into Høeg’s playful self-expression at the onset of the 20th century. This photo essay explores not only the documentary value of these images, but also the important considerations of visibility, privacy, and the ethics of circulation that they elicit.
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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