牙买加·金凯德的《现在再看:一部小说》中的自传、时间和重写本

Q3 Arts and Humanities
Anglica Pub Date : 2022-10-01 DOI:10.7311/0860-5734.31.1.06
Bárbara Arizti
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引用次数: 0

摘要

本文通过对牙买加·金凯德自传体小说《此时此刻》的隐喻分析,探讨了构成小说文本的不同主题层和一般层之间的摩擦。它认为,尽管小说总体上是开放的,但它的主题关注点,尤其是对时间和叙事时间性的处理,鼓励了一种回顾过去的立场。Sarah Dillon和Lene Johannessen关于重写的本质的理论,特别是重写与重写之间的区别,以及水平与垂直,新与旧之间的相互作用,将与Leigh Gilmore对极限案例自传的调查相结合,这些作品,如Kin- caid的作品,在创伤经历的压力下质疑小说与生活写作之间的界限。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
This article analyses Jamaica Kincaid’s autobiographical novel See Now Then through the metaphor of the palimpsest with the aim of exploring the frictions between the different generic and thematic layers that make up the text. It argues that despite the novel’s generic openness, its thematic concerns, most notably its treatment of time and narrative temporality, encourage a backward-looking stance that reasserts the past. The theories of Sarah Dillon and Lene Johannessen on the nature of palimpsests, especially the difference between the palimpsestic and the palimpsestuous and the interaction between the horizontal and the vertical, the new and the old, will be drawn upon in conjunction with Leigh Gilmore’s investigations into limit case autobiographies – works, like Kin- caid’s, that question the borders between fiction and life-writing under the pressure of traumatic experiences.
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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