军事武器与服装描绘中的伪库福评价

IF 0.2 0 ART
Durmus Gur, Cahit Karakok
{"title":"军事武器与服装描绘中的伪库福评价","authors":"Durmus Gur, Cahit Karakok","doi":"10.29135/std.1097218","DOIUrl":null,"url":null,"abstract":"The subject of the study was the military weapons in the depictions and the pseudo-kufic in clothes. The pseudo-kufic, which were seen in Byzantine and Western art in the 9th century, and which were applied in Christian religious structures as of the 10th century, were evaluated by scientists as a purely symbolic form of semantic and visual expression that was borrowed from a foreign language that could not be read. Their special meanings and legibility were mostly not considered, and were considered purely as ornaments or decorative elements. The dual nature of pseudo-kufic, in which Arabic names, verses, good intentions, and wishes were conveyed, allowed them to spread in a wide range and be evaluated as a transitional decoration at the crossroads of various fields. It was reported previously that the practices explained with various expressions such as trade, conquest, occupation, captives, and interaction had an essentially apotropaic meaning, and those that could not be read were ornaments that had decorative designs. It was determined that pseudo-kufic in depictions of military weapons and clothing had a special meaning, and therefore, they were frequently applied in Byzantine painting, illustrated manuscripts, and small handicrafts. The Arabic independent letters in the depictions of military clothes and weapons, the texts in the form of the abbreviation of the verse Al-Mulk or Al-Mulk Lillah had a U-form or mirror form structure. The application of the verse Al-Mulk or Al-Mulk Lillah on military weapons and clothes depictions in practice shows that the expression of power was at the forefront rather than the meaning of property in buildings and other works. This symbolizes that pseudo-kufic had a symbolic meaning rather than ornamentation in military areas, and that they had very special and protective meanings such as reclaiming the areas where the works were located from the Arabs. Aside from the aesthetic and symbolic characteristics of pseudo-kufic, theoretical questions and problems were also evaluated, and it was aimed to determine the application purpose of the interaction between Christian-Islam in military depictions.","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE EVALUATION OF PSEUDO-KUFIC IN MILITARY WEAPONS AND CLOTHING DEPICTIONS\",\"authors\":\"Durmus Gur, Cahit Karakok\",\"doi\":\"10.29135/std.1097218\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The subject of the study was the military weapons in the depictions and the pseudo-kufic in clothes. The pseudo-kufic, which were seen in Byzantine and Western art in the 9th century, and which were applied in Christian religious structures as of the 10th century, were evaluated by scientists as a purely symbolic form of semantic and visual expression that was borrowed from a foreign language that could not be read. Their special meanings and legibility were mostly not considered, and were considered purely as ornaments or decorative elements. The dual nature of pseudo-kufic, in which Arabic names, verses, good intentions, and wishes were conveyed, allowed them to spread in a wide range and be evaluated as a transitional decoration at the crossroads of various fields. It was reported previously that the practices explained with various expressions such as trade, conquest, occupation, captives, and interaction had an essentially apotropaic meaning, and those that could not be read were ornaments that had decorative designs. It was determined that pseudo-kufic in depictions of military weapons and clothing had a special meaning, and therefore, they were frequently applied in Byzantine painting, illustrated manuscripts, and small handicrafts. The Arabic independent letters in the depictions of military clothes and weapons, the texts in the form of the abbreviation of the verse Al-Mulk or Al-Mulk Lillah had a U-form or mirror form structure. The application of the verse Al-Mulk or Al-Mulk Lillah on military weapons and clothes depictions in practice shows that the expression of power was at the forefront rather than the meaning of property in buildings and other works. This symbolizes that pseudo-kufic had a symbolic meaning rather than ornamentation in military areas, and that they had very special and protective meanings such as reclaiming the areas where the works were located from the Arabs. Aside from the aesthetic and symbolic characteristics of pseudo-kufic, theoretical questions and problems were also evaluated, and it was aimed to determine the application purpose of the interaction between Christian-Islam in military depictions.\",\"PeriodicalId\":40192,\"journal\":{\"name\":\"Sanat Tarihi Dergisi-Journal of Art History\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sanat Tarihi Dergisi-Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29135/std.1097218\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sanat Tarihi Dergisi-Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29135/std.1097218","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

研究的主题是描绘中的军事武器和服装中的伪库弗。伪库菲克(pseudo-kufic)在9世纪的拜占庭和西方艺术中出现,在10世纪被应用于基督教的宗教结构中,科学家们认为它是一种纯粹的符号形式,是一种从一种无法阅读的外语中借来的语义和视觉表达。它们的特殊含义和易读性大多没有被考虑,而纯粹被认为是装饰品或装饰元素。伪库菲克的双重性质,其中传达了阿拉伯语的名字、诗句、良好的意图和愿望,使它们在广泛的范围内传播,并被评价为各个领域十字路口的过渡装饰。以前有报道说,用贸易、征服、占领、俘虏和互动等各种表达来解释的做法本质上具有apotropaic的含义,而那些无法阅读的是具有装饰设计的装饰品。人们确定,军事武器和服装描绘中的伪kufic具有特殊含义,因此,它们经常用于拜占庭绘画,插图手稿和小型手工艺品。阿拉伯语独立字母在军事服装和武器的描述中,以Al-Mulk或Al-Mulk Lillah诗句缩写形式的文本具有u形或镜像形结构。Al-Mulk或Al-Mulk Lillah诗句在军事武器和服装描绘中的应用表明,在建筑和其他作品中,权力的表达比财产的意义更重要。这象征着伪库法在军事领域具有象征意义,而不是装饰,它们具有非常特殊和保护的意义,例如从阿拉伯人手中夺回作品所在的地区。除了伪古福的审美和象征特征外,还对理论问题和问题进行了评价,旨在确定基督教-伊斯兰教互动在军事描写中的应用目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE EVALUATION OF PSEUDO-KUFIC IN MILITARY WEAPONS AND CLOTHING DEPICTIONS
The subject of the study was the military weapons in the depictions and the pseudo-kufic in clothes. The pseudo-kufic, which were seen in Byzantine and Western art in the 9th century, and which were applied in Christian religious structures as of the 10th century, were evaluated by scientists as a purely symbolic form of semantic and visual expression that was borrowed from a foreign language that could not be read. Their special meanings and legibility were mostly not considered, and were considered purely as ornaments or decorative elements. The dual nature of pseudo-kufic, in which Arabic names, verses, good intentions, and wishes were conveyed, allowed them to spread in a wide range and be evaluated as a transitional decoration at the crossroads of various fields. It was reported previously that the practices explained with various expressions such as trade, conquest, occupation, captives, and interaction had an essentially apotropaic meaning, and those that could not be read were ornaments that had decorative designs. It was determined that pseudo-kufic in depictions of military weapons and clothing had a special meaning, and therefore, they were frequently applied in Byzantine painting, illustrated manuscripts, and small handicrafts. The Arabic independent letters in the depictions of military clothes and weapons, the texts in the form of the abbreviation of the verse Al-Mulk or Al-Mulk Lillah had a U-form or mirror form structure. The application of the verse Al-Mulk or Al-Mulk Lillah on military weapons and clothes depictions in practice shows that the expression of power was at the forefront rather than the meaning of property in buildings and other works. This symbolizes that pseudo-kufic had a symbolic meaning rather than ornamentation in military areas, and that they had very special and protective meanings such as reclaiming the areas where the works were located from the Arabs. Aside from the aesthetic and symbolic characteristics of pseudo-kufic, theoretical questions and problems were also evaluated, and it was aimed to determine the application purpose of the interaction between Christian-Islam in military depictions.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
29
审稿时长
18 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信