介绍

IF 0.3 0 ASIAN STUDIES
Alexandra Delaney-Bhattacharya, Vishal Chauhan
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引用次数: 0

摘要

2017年秋季,在Rajinder Dudrah教授的指导下,我们进入了博士学位的第二年,并负责组织一次会议,试图将下一代宝莱坞学者聚集在一起。这是一个自然的选择,适合我们的研究主题——达利特在宝莱坞的代表性是维沙尔的研究领域,而宝莱坞白人女性气质是亚历山德拉的。除了我们当前的学术重点之外,它似乎也很及时。MeToo运动在国际上势头越来越猛,波及印度和宝莱坞,印度开始考虑2019年即将举行的选举。宝莱坞的代表性是显而易见的选择,有如此丰富的社会和政治材料可供借鉴。我们的兴趣特别是从20世纪90年代后宝莱坞到现在的当代代表性。自由化的影响是深远的,印度的娱乐业一方面试图跟上全球趋势,另一方面定义和维持“印度”文化价值观。这些过程在很大程度上是当代印度社会的一部分,因此也反映在电影创作中。收到来自世界各地的投稿,看到我们同时代人所从事的宝莱坞奖学金的各个领域,我感到非常兴奋。经过仔细而艰苦的审查,我们邀请了来自世界四个地区的九位学者于2018年5月在伯明翰城市大学加入我们。我们很高兴Rachel Dwyer教授作为我们的导师Dudrah教授对我们的工作产生了重大影响,她接受并出席了关于宝莱坞老龄化男子气概的主题演讲,专门研究了Salman Khan的案件。这次会议取得了成功,并建立了一个新兴的宝莱坞学者网络。建立了联系,建立了友谊。一群跨学科学者能够亲自会面并分享他们的研究成果,真是令人兴奋。我们很少有这样的机会,所以我们感谢Dudrah教授最初的鼓励和持续的支持,感谢我们的二级导师John Mercer教授的支持,谢谢Dwyer教授对论文的出色主旨贡献和反馈,感谢Priya Jha教授和Anjali Roy教授分别从美国和印度远道而来,感谢为我们主持小组讨论会,感谢伯明翰城市大学允许我们举办这样一场有意义的活动,感谢我们出色的联合主持人从四面八方赶来分享他们的研究,最后但肯定不是最不重要的是,感谢吉塔·拉詹教授对该项目的热情,并支持我们档案的开发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction
In the autumn of 2017 we entered the second year of our PhDs under the supervision of Professor Rajinder Dudrah and were tasked with organising a conference which sought to bring together the next generation of Bollywood scholars. It was a natural choice and fit for our research topics – Dalit representation in Bollywood is Vishal’s area of enquiry and white femininity in Bollywood is Alexandra’s. Beyond our immediate academic focus, it seemed timely, too. The MeToo movement was gaining momentum internationally, extending to India and Bollywood, and India was beginning to think about forthcoming elections in 2019. Representation in Bollywood was the obvious choice with so much rich social and political material to draw on. Our interests specifically were the contemporary representations that have emerged from the context of post-1990s Bollywood to the present moment. The impact of liberalisation has been profound, and India’s entertainment industry has sought to keep pace with global trends on the one hand and define and sustain ‘Indian’ cultural values on the other. These processes are very much part of contemporary Indian society and consequently reflected in the creation of film, too. It was exciting to receive submissions from around the world and to see the diverse areas of Bollywood scholarship that our contemporaries are engaged in. After a careful and strenuous review, we invited nine scholars from four regions of the world to join us in May 2018 at Birmingham City University. We were delighted that Professor Rachel Dwyer, who has been a significant an influence on our work as our supervisor Professor Dudrah, accepted and attended to give the keynote speech on ageing masculinity in Bollywood, examining the case of Salman Khan specifically. The conference was a success and forged a nascent network of emerging Bollywood scholars. Connections were made and friendships formed. It was exciting for a group of interdisciplinary scholars to meet, in-person, and share their research. It’s not often we get such an opportunity, so we are thankful to Professor Dudrah for his initial encouragement and constant support, to our secondary supervisor Professor John Mercer for his support, to Professor Dwyer for her excellent keynote contribution and feedback on the papers presented, to Professors Priya Jha and Anjali Roy for coming all the way from the US and India, respectively, to chair panels for us, to Birmingham City University for allowing us to host such a meaningful event, to our wonderful co-presenters for travelling from near and far to share their research and last but certainly not least to Professor Gita Rajan for her enthusiasm for the project and supporting the development of our dossier.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
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