{"title":"伽利略、玻璃器皿和孔雀","authors":"E. Reeves","doi":"10.33137/q.i..v42i2.39698","DOIUrl":null,"url":null,"abstract":"This essay examines Galileo’s peculiar comparison of small lunar craters in 1610 in his first treatise of telescopic observations, the Sidereus Nuncius, to the eyes in a peacock’s feathers and to a particular sort of glassware, and it argues that these allusions reveal more about a certain kind of sound than about the visual appearance of the moon. Galileo’s odd analogies find subsequent development in a thought experiment relating sight, sound, and sensation in his Two New Sciences of 1638.","PeriodicalId":39609,"journal":{"name":"QUADERNI D ITALIANISTICA","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Galileo, glassware, and the peacock\",\"authors\":\"E. Reeves\",\"doi\":\"10.33137/q.i..v42i2.39698\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines Galileo’s peculiar comparison of small lunar craters in 1610 in his first treatise of telescopic observations, the Sidereus Nuncius, to the eyes in a peacock’s feathers and to a particular sort of glassware, and it argues that these allusions reveal more about a certain kind of sound than about the visual appearance of the moon. Galileo’s odd analogies find subsequent development in a thought experiment relating sight, sound, and sensation in his Two New Sciences of 1638.\",\"PeriodicalId\":39609,\"journal\":{\"name\":\"QUADERNI D ITALIANISTICA\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-11-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"QUADERNI D ITALIANISTICA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33137/q.i..v42i2.39698\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"QUADERNI D ITALIANISTICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33137/q.i..v42i2.39698","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
This essay examines Galileo’s peculiar comparison of small lunar craters in 1610 in his first treatise of telescopic observations, the Sidereus Nuncius, to the eyes in a peacock’s feathers and to a particular sort of glassware, and it argues that these allusions reveal more about a certain kind of sound than about the visual appearance of the moon. Galileo’s odd analogies find subsequent development in a thought experiment relating sight, sound, and sensation in his Two New Sciences of 1638.
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