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引用次数: 0
摘要
Charles Mungoshi的大部分小说都是在津巴布韦独立前后的军国主义男子气概背景下创作的,当时津巴布韦的写作和生活中都重视强壮健康的男性身体。他对身体虚弱,尤其是脊椎受伤的男性的刻画,以其超男性化的剧本挑战了Chimurenga(解放战争)的修辞,该剧本赋予坚韧健康的男性身体为家庭和国家服务的特权。Mungoshi对男性身体的实体性和体能极限的呼吁暴露了男性的冲突和焦虑,而在这种“不穿衣服”存在问题的时候,津巴布韦文学的一些批评者仍然存在这种问题。这些评论家认为,Mungoshi对体弱者的关注缺乏文学价值,悲观,对后殖民地津巴布韦的解放斗争和国家建设没有什么价值。然而,本文认为,通过男性身体丧失能力的比喻,Mungoshi挑战了一种男性主义,这种男性主义要求男性拥有强大的身体来控制家庭和国家空间。通过关注Mungoshi用英语和绍纳语写作的两种语言,本文揭示了Mungoshi对津巴布韦写作最不被认可但最能说明问题的贡献之一——试图重新想象津巴布韦男子气概的男性虚弱形象。
Men with Broken Backs and Other Infirmities: Unsettling Masculinities in Charles Mungoshi’s Fiction
Most of Charles Mungoshi’s fiction was written within a context of militaristic masculinities pre- and post-independent Zimbabwe, when the strong and healthy male body was valorised in Zimbabwean writing and life. His portrayal of men with physical infirmities, particularly spinal injuries, challenges the Chimurenga (war of liberation) rhetoric with its hypermasculine script that privileges the tough and healthy male body in service of the family and nation. Mungoshi’s calling on the corporeality of men’s bodies and the limits of physical ability exposes the conflicts and anxieties of maleness at a time when such “unmanning” was problematic and continues to be for some critics of Zimbabwean literature. Such critics view Mungoshi’s focus on men with infirmities as devoid of literary value, pessimistic, of little value to the liberation struggle and nation-building in post-colonial Zimbabwe. Yet through the trope of male bodily incapacitation, this paper argues, Mungoshi challenges a masculinism that demands that men should have strong bodies they can deploy to control familial and national space. By paying attention to the two languages that Mungoshi wrote in – English and Shona – this paper unpacks one of Mungoshi’s least acknowledged but most telling contributions to Zimbabwean writing – images of male infirmity that attempt to re-envision Zimbabwean masculinities.
期刊介绍:
Current Writing: Text and Reception in Southern Africa is published bi-annually by Routledge. Current Writing focuses on recent writing and re-publication of texts on southern African and (from a ''southern'' perspective) commonwealth and/or postcolonial literature and literary-culture. Works of the past and near-past must be assessed and evaluated through the lens of current reception. Submissions are double-blind peer-reviewed by at least two referees of international stature in the field. The journal is accredited with the South African Department of Higher Education and Training.