请求进行视觉调查

Q1 Arts and Humanities
P. Hermans, D. Schönau
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引用次数: 0

摘要

摘要:这一贡献的目的是请求重新评估绘画作为一种积极的视觉探究在视觉素养的手段。在修订后的欧洲共同视觉能力参考框架(CEFR-VC)中,主动视觉探究是描述“生产”子领域的前两个阶段的最恰当的概念:“产生视觉想法的能力”和“进行视觉研究的能力”。它还与CEFR-VC中“响应”子领域的前两个阶段所涵盖的活动有关:“以开放的心态感知图像的能力”和“探索图像的能力”。这四种能力都依赖于视觉思维、视觉分析和对图像的视觉理解。他们建议,视觉领域的学习应该是所有学生接受教育的必修课。这些能力及其潜在技能在二战前的艺术教育中是至关重要的。从那时起,我们目睹了这些能力- -特别是技术和曲目- -逐渐被边缘化,取而代之的是对内容、交流和创造力的兴趣。我们认为是时候解决对这些能力的忽视,并呼吁通过绘画进行积极的视觉探究,在视觉素养教育中给予比现在更突出的位置。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A plea for visual inquiry
Abstract This contribution is intended as a plea for the reappraisal of drawing as a means of active visual inquiry in Visual Literacy. Active visual inquiry is a most adequate concept to describe the first two phases of the sub-domain of ‘producing’ in the revised Common European Framework of Reference for Visual Competency (CEFR-VC): ‘the competency to generate visual ideas’ and ‘the competency to do visual research’. It also relates to activities covered by the first two phases of the sub-domain of ‘responding’ in the CEFR-VC: the ‘competency to perceive images with an open mind’ and ‘the competency to explore images’. All four competencies rely on ways of visual thinking, visual analysis and understanding of images in visual terms. They suggest that learning in the visual domain should be compulsory for all students in education. These competencies and their underlying skills were paramount in art education before World War II. Since then we have witnessed a gradual marginalization of these competencies – in particular technique and repertoire – in favour of interests in content, communication and creativity. We think it is time to address the neglect of these competencies and make a plea for active visual inquiry through drawing to be given a more prominent place in visual literacy education than it is given now.
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来源期刊
Journal of Visual Literacy
Journal of Visual Literacy Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
0.00%
发文量
12
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