{"title":"应陈《大河》中的后人类景观","authors":"J. Rodgers","doi":"10.3828/qs.2019.19","DOIUrl":null,"url":null,"abstract":"The last novel of what has been termed Ying Chen’s “serie fantome,” La rive est loin (2013), draws us further into a posthuman existence that has been consistently gestured towards since the public...","PeriodicalId":36865,"journal":{"name":"Quebec Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/qs.2019.19","citationCount":"1","resultStr":"{\"title\":\"The Emergent Posthuman Landscape in Ying Chen’s La rive est loin\",\"authors\":\"J. Rodgers\",\"doi\":\"10.3828/qs.2019.19\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The last novel of what has been termed Ying Chen’s “serie fantome,” La rive est loin (2013), draws us further into a posthuman existence that has been consistently gestured towards since the public...\",\"PeriodicalId\":36865,\"journal\":{\"name\":\"Quebec Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3828/qs.2019.19\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Quebec Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/qs.2019.19\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quebec Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/qs.2019.19","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Emergent Posthuman Landscape in Ying Chen’s La rive est loin
The last novel of what has been termed Ying Chen’s “serie fantome,” La rive est loin (2013), draws us further into a posthuman existence that has been consistently gestured towards since the public...