关于非正式部门旅游业对纳米比亚土著工艺进程的影响的思考

IF 0.7 Q4 BUSINESS
B. Beamer, Kimberly Gleason
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引用次数: 0

摘要

本研究的目的是使用一种可传播的创造性表达形式,书籍,来说明纳米比亚工匠大师对土著工艺过程的侵犯。此外,作者希望激发关于艺术与商业之间跨学科研究价值的对话,并促进创造性表达作为学术产出,为商业研究主题提供额外的深度。本研究介绍了书籍作为一种研究技术,用于传达关于作为“局外人”的非正式部门游客的经济活动对大师级工匠和土著工艺实践产生的影响的见解,这些人是土著纳米比亚工艺社区之外的人。在本文中,作者传达了外来者(如游客)通过购买低成本,易于批量生产,但不真实的色彩鲜艳的物品,在纳米比亚一个很大程度上未开发的文化生态位中永久影响土著社区传统工艺文化的方式。为创收而设计的工艺过程很可能会侵蚀纳米比亚社会中手工艺大师的作用,并永久地将创造性活动从土著实践中转移出去。研究局限性/启示研究人员承认,作为局外人,他们在对纳米比亚手工艺大师和工艺实践的看法上存在偏见。由于游客偏好廉价、不真实的手工艺大师作品复制品,纳米比亚手工艺大师的人力资本正在受到侵蚀,传统手工艺实践正在被扭曲。虽然一些商业学科,如市场营销,已经将艺术纳入他们的研究,但在许多商业学科中,创造性表达的使用是有限的。作者是第一个使用书籍来探索学术商业研究问题,根据他们的知识。此外,本研究为评估旅游业如何影响纳米比亚传统工艺过程提供了一个新的视角,即局外人的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reflections on the impact of informal sector tourism on indigenous Namibian Craft processes
Purpose The purpose of this study is to use a spreadable form of creative expression, bookwork, to illustrate the encroachment upon the indigenous craft process of Namibian master crafters. In addition, the authors hope to inspire a dialogue regarding the value of interdisciplinary research between the arts and business and promote creative expression as scholarly output that can provide additional depth to research topics in business.Design/methodology/approach This study introduces bookwork as a research technique used to convey insights regarding the consequences to master crafters and indigenous craft practices arising from the economic activities of informal sector tourists as “outsiders” – those external to the indigenous Namibian Craft community.Findings In this paper, the authors convey the manner in which outsiders (such as tourists) permanently influence the traditional craft culture of indigenous communities in a largely unexplored cultural ecological niche in Namibia by purchasing low cost, easily mass produced, yet inauthentic brightly colored objects. It is likely that craft processes designed for revenue generation will encroach on the role of the master crafters in Namibian society and permanently redirect creative activities away from the indigenous practices.Research limitations/implications The researchers acknowledge the biases they have, as outsiders, in their perception of Namibian master crafters and craft practices.Social implications The human capital of the master crafters of Namibia is being eroded and traditional craft practices are being distorted due to incentives created by tourist preferences for cheap, inauthentic replicas of the master crafters’ work.Originality/value While some business disciplines, such as marketing, have incorporated the arts into their research, the use of creative expression in many business disciplines has been limited. The authors are the first to use bookwork to explore academic business research questions as per their knowledge. In addition, this study provides a new perspective, that of the outsider, in assessing how tourism impacts traditional Namibian Craft processes.
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来源期刊
CiteScore
1.60
自引率
28.60%
发文量
13
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