从叛逆的20世纪60年代到繁荣的20世纪90年代：Antonis Kokkinos的《一个时代的终结》（1994）中的青年、现代性和消费

IF 0.3 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

BYZANTINE AND MODERN GREEK STUDIES Pub Date : 2021-07-02 DOI:10.1017/byz.2021.8

P. Zestanakis

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引用次数: 0

摘要

本文探讨了Antonis Kokkinos（1994）的电影《时代的终结》，这是20世纪90年代中后期希腊电影复兴的关键电影。这部电影构成了一种公共历史的形式，对图像和历史过去之间的关系进行了解释和问题化，通过20世纪90年代以消费者为导向的价值观探索独裁统治（1967–74）。通过仔细研究独裁统治和20世纪90年代之间的历史（差异）连续性（消费者政治，尤其是性方面的相似性、差异性和转变），文章认为，以20世纪60年代的年轻人为中心，《时代的终结》低估了独裁统治的威权主义，并通过消费者选择的可用性（或不可用性）重新定义了政治，表达了20世纪90年代宽松的意识形态氛围。

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The Rebellious 1960s via the Prosperous 1990s: Youth, Modernity and Consumption in Antonis Kokkinos’ Τέλος εποχής (End of an Era) (1994)

This article explores the movie Τέλος εποχής (End of an Era) by Antonis Kokkinos (1994), a key film in the regeneration of Greek cinema in the mid-late 1990s. The film constitutes a form of public history construing and problematizing relations between the images and the historical past, exploring the dictatorship (1967–74) through the consumer-oriented values of the 1990s. By scrutinizing historical (dis)continuities (similarities, differences, and transformations in consumer politics and sexuality in particular) between the dictatorship and the 1990s, the article argues that, focusing on 1960s youth, End of an Era underplayed the dictatorship's authoritarianism and (re)defined politics through the availability (or not) of consumer choices, expressing the relaxed ideological climate of the 1990s.

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来源期刊

BYZANTINE AND MODERN GREEK STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.