丽贝卡·布莱恩特和梅特·哈塔伊,《主权暂停:建立所谓的国家》。费城:宾夕法尼亚大学出版社,2020。Xviii + 324页。

IF 1.7 2区 社会学 Q1 AREA STUDIES
Ozancan Bozkurt
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引用次数: 0

摘要

Aral、NazlıEray、Ahmet Hamdi Tanpınar、Yusuf Atılgan、Peyami Safa、Oğuz Atay和Orhan Pamuk)也反映了粗略的多样性。他们是土耳其文学经典的顶尖世俗作家,有时是凯末尔主义的批评者,但在很大程度上仍然是共和党理想的支持者,他们的作品中也有“一定程度的欧洲中心主义”(第17页)。例如,Almond指的是Ahmet Hamdi Tanpınar对法国文学的热爱。他认为Yusuf Atılgan的“对凯末尔主义项目的批判”是“对世俗的世俗攻击”(第57页)。换言之,这本书成功地挑战了以西方为中心的世界文学经典,但它在当地表演和反对国家经典方面留下了一个强有力的问号。阿尔蒙德在本书的焦点兴趣中意识到了这一缺点;这就是为什么他在引言中说,他“一次打一场仗”(第20页)。他在本书的方法论部分讨论了当地文学的多样性问题,在土耳其文学全景的背景下,他提到了拒绝用土耳其语写作的库尔德作家,使用两种语言的双语作家,他还提醒我们土耳其文学评论家和历史学家对亚美尼亚作家的“缓慢但稳定”的呼吁(第18页)。在本节中,还提到了墨西哥文学中的土著作家,孟加拉文学中的达利特和穆斯林作家,以强调本书所针对的当地文学的多样性。此外,还强调“我们必须在地区上与当地霸权勾结”(第20页),邀请世界各地的学者进一步推进本书的项目。在一份有效的最后说明中,阿尔蒙德表示,“代表权政治往往是一个包容性的项目,而不是一个革命性的项目”(第220页),这有力地提醒我们,代表权的深层多样性根本不会引导我们走向民主化,因为它最终不可避免地会成为对现状的肯定。《以世界文学为中心:超越“西方”,通过土耳其、墨西哥和孟加拉》表明,要将这一挑战转变为一个革命性的项目,全球各地都需要一种内化的集体心态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rebecca Bryant and Mete Hatay, Sovereignty Suspended: Building the So-Called State. Philadelphia: University of Pennsylvania Press, 2020. xviii + 324 pp.
Aral, Nazlı Eray, Ahmet Hamdi Tanpınar, Yusuf Atılgan, Peyami Safa, Oğuz Atay, and Orhan Pamuk) also reflect a cursory diversity. They are top-notch secular writers of the Turkish literary canon, critics of Kemalism at times, but still to a great extent supporters of the Republican ideals, and there is also “a certain degree of Eurocentricism” (p. 17) in their works. Almond refers, for example, to Ahmet Hamdi Tanpınar’s devotion to French literature. He considers Yusuf Atılgan’s “critique of Kemalist project” as “a secular attack upon the secular” (p. 57). In other words, this book is a successful challenge to theWest-centeredWorld Literary canon, but it leaves a powerful question mark in terms of the challenge to be performed locally and against the national canons. Almond is aware of this shortcoming in the focal interest of the book; that is why he says, in the Introduction, that he fights “one battle at a time” (p. 20). He discusses the problem of diversity in local literatures in the Methodology section of the book and, in the context of the literary panorama of Turkey, he refers to Kurdish writers who refuse to write in Turkish, bilingual authors who use both languages, and he also reminds us of the “slow but steady” (p. 18) call by literary critics and historians in Turkey on Armenian writers. In this section, there are also references to indigenous writers within Mexican literature, and Dalit and Muslim writers in Bengali literature to stress the diversity of the local literatures that are the target of this book. The added emphasis that “we have to collude with local hegemonies regionally” (p. 20) as well, issues an invitation to scholars worldwide to further the project of this book. In a valid final note, Almond says that “the politics of representation is often an inclusive project, not a revolutionary one” (p.220), which is a powerful reminder that skindeep diversity in representation will simply not lead us to democratization, as it will inescapably end up being an affirmation of the status quo. World Literature Decentered: Beyond the “West” through Turkey, Mexico and Bengalmakes it manifest that for this challenge to turn into a revolutionary project, an internalized mentality of collectivity is required all around the globe.
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来源期刊
New Perspectives on Turkey
New Perspectives on Turkey SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
2.20
自引率
8.30%
发文量
26
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