“性系列”

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Emie // Eva-Marie Elg
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引用次数: 1

摘要

萨拉·艾哈迈德(Sara Ahmed)从《酷儿现象学》(Queer Phenomenology)一书中探讨了性生活的取向意味着什么,这激发了基于后人文主义理论和无性体验的艺术系列《性系列》(A Sexual series)的灵感。表演性自我的形状是从一个奇怪的半机械人的位置——技术增强的crip体验(脊柱侧弯矫正手术的强烈象征性构建过程)中实现的。从过去的一个小故障到后个人主义的未来,人工智能性爱机器人是艺术家的一个隐喻、提升的半机械人变装版本,体现了无性和酷儿的另类。该系列以鼓励自我反思的众多CUNTraDICK为基础,探索了ob/场景和现场表演的复杂性;一个性积极的无性恋者的地位,以及作为一个天生的人造反叛者的归属问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘A Sexual Series’
Sara Ahmed’s enquiry on what it means for sexuality to be lived as oriented from the work Queer Phenomenology inspired the art series ‘A Sexual Series’, based on post-humanist theory and asexual experience. Shapes of performative alter egos materialized from a queer cyborg position of technologically enhanced crip experiences (the strong symbolical constructing process of straightening scoliosis surgery). From being a glitch of the past towards a post-individualist future, the artificial intelligence sexbot is a metaphoric, elevated cyborg drag version of the artist to embody asexuality and queer Otherness. Based on multitudes of CUNTraDICKtions to encourage self-reflection, the series explores the complexities of ob/scene and on/scene performances; the position of a sex positive asexual as well as questions of belonging as a naturally artificial rebel.
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来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
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