{"title":"悲惨的交流:克劳迪娅·兰金的《别让我孤独:一首美国抒情诗》中的伤感","authors":"Annie Bolotin","doi":"10.7560/tsll63304","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay draws on the discourse of sentimentality to define the political work of address in Claudia Rankine’s Don’t Let Me Be Lonely (2004). Rankine’s sentimentality takes the form of an affective state that I call the miserable communion, in which readers develop an ability to communicate about the historical and social causes of what is typically regarded as the private emotional experience of sadness. The politics of the miserable communion rest in what it renders possible to articulate.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Miserable Communions: Sentimentality in Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric\",\"authors\":\"Annie Bolotin\",\"doi\":\"10.7560/tsll63304\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay draws on the discourse of sentimentality to define the political work of address in Claudia Rankine’s Don’t Let Me Be Lonely (2004). Rankine’s sentimentality takes the form of an affective state that I call the miserable communion, in which readers develop an ability to communicate about the historical and social causes of what is typically regarded as the private emotional experience of sadness. The politics of the miserable communion rest in what it renders possible to articulate.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll63304\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll63304","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Miserable Communions: Sentimentality in Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric
ABSTRACT:This essay draws on the discourse of sentimentality to define the political work of address in Claudia Rankine’s Don’t Let Me Be Lonely (2004). Rankine’s sentimentality takes the form of an affective state that I call the miserable communion, in which readers develop an ability to communicate about the historical and social causes of what is typically regarded as the private emotional experience of sadness. The politics of the miserable communion rest in what it renders possible to articulate.