{"title":"唱\" SPEX !什么是下一个?《流行文化杂志》上的图片","authors":"P. Pabst, Hannah Zipfel","doi":"10.1515/iasl-2020-0008","DOIUrl":null,"url":null,"abstract":"Abstract In 2018, the crisis of print media hit German pop journalism hard. Following Groove, Intro and Melodie und Rhythmus, Spex – the most influential magazine of German pop journalism – too ceased production. This article examines the history of Spex as one fraught with frequent endings and crises – a process that ultimately led to the self-historicization of the magazine.","PeriodicalId":42506,"journal":{"name":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","volume":"45 1","pages":"135 - 149"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/iasl-2020-0008","citationCount":"0","resultStr":"{\"title\":\"„Bye SPEX! What’s next?“ Zur Historisierung einer Pop-Kulturzeitschrift\",\"authors\":\"P. Pabst, Hannah Zipfel\",\"doi\":\"10.1515/iasl-2020-0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In 2018, the crisis of print media hit German pop journalism hard. Following Groove, Intro and Melodie und Rhythmus, Spex – the most influential magazine of German pop journalism – too ceased production. This article examines the history of Spex as one fraught with frequent endings and crises – a process that ultimately led to the self-historicization of the magazine.\",\"PeriodicalId\":42506,\"journal\":{\"name\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"volume\":\"45 1\",\"pages\":\"135 - 149\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1515/iasl-2020-0008\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/iasl-2020-0008\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"INTERNATIONALES ARCHIV FUR SOZIALGESCHICHTE DER DEUTSCHEN LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/iasl-2020-0008","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
摘要
2018年,纸媒危机重创德国大众新闻业。继《Groove》、《Intro》和《Melodie und Rhythmus》之后,德国最具影响力的流行新闻杂志《Spex》也停刊了。这篇文章考察了《Spex》的历史,认为它充满了频繁的结局和危机——这一过程最终导致了该杂志的自我历史化。
„Bye SPEX! What’s next?“ Zur Historisierung einer Pop-Kulturzeitschrift
Abstract In 2018, the crisis of print media hit German pop journalism hard. Following Groove, Intro and Melodie und Rhythmus, Spex – the most influential magazine of German pop journalism – too ceased production. This article examines the history of Spex as one fraught with frequent endings and crises – a process that ultimately led to the self-historicization of the magazine.