新冠肺炎对虚拟吉他社区的影响

IF 0.2 0 MUSIC
Daniel A Lee
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引用次数: 0

摘要

在新冠肺炎大流行之前,音乐行业已经经历了不确定性,因为随着电信的发展,音乐家们尝试了新的传播和货币化模式。互联网的出现引发了不同的、有时是矛盾的文化问题,包括分散、耗散、保存、发展、同质化和异质性。吉他手传统上在地理位置域中形成了本地网络和社区。然而,在二十一世纪,社区领域也包括虚拟空间。一项沉浸式网络研究从联合国教科文组织《保护非物质文化遗产公约》的角度调查了在线吉他社区的活动。使用归纳主题分析协议对数据进行分析,生成了关于新冠肺炎对虚拟吉他社区的影响的七个代码。毫无疑问,疫情对个人音乐家和现场场地的收入流产生了严重的负面影响。然而,它似乎确实成为了在线社区寻求新连接方式的新活力的催化剂。随着更多的艺术家分享和互动,未来的环境可能会更加丰富。然而,如果没有对文化责任的强烈认识,这种丰富性可能会导致同质的大熔炉。或者,它也可能揭露以前被压制的文化表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Impact of COVID-19 on Virtual Guitar Communities
Prior to the COVID-19 pandemic, the music industry was already experiencing uncertainty as musicians experimented with new modes of dissemination and monetization following developments in telecommunications. The arrival of the internet instigated varying, sometimes contradictory, cultural concerns including dispersion, dissipation, preservation, development, homogenization and heterogeneity. Guitar players have traditionally formed local networks and communities in geo-located domains. However, in the twenty-first century, community domains also include virtual spaces. An immersive netnographic study investigated activities in online guitar communities from the perspective of UNESCO’s Convention for the Safeguarding of Intangible Cultural Heritage. Data were analysed using the protocols of Inductive Thematic Analysis generating seven codes, regarding the impact of COVID-19 on virtual guitar communities. Without doubt, the pandemic has had serious negative effects on individual musicians’ and live venues’ income streams. However, it does seem to have acted as a catalyst for fresh vigour within online communities seeking new ways to connect. With more artists sharing and interacting, the result could be a richer environment in the future. However, without a strong recognition of cultural responsibility this richness may result in a homogenous melting pot. Alternatively, it may also bring to light cultural expressions previously suppressed.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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