弗拉玛的《宇宙Cronica Universalis》中的两个制图要素

IF 0.5 Q1 HISTORY
P. Chiesa
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引用次数: 0

摘要

在他的《环球纪事》一书中,Flamma提到了两件制图人工制品。第一个是在宇宙学框架内的风的图表,根据“科学”传统和航海经验列出了风的名称;这张图表将两种知识来源交织在一起,正如在一个接受地理实践建议的学术环境中所期望的那样。另一个是mappa Ianuensis,即当时在热那亚绘制或保存在热那亚的地图,伽伐尼乌斯在他的作品中提到了三次;根据伽伐尼乌斯的记载,这张地图描绘了整个地球,比海图要广泛得多。这两个元素都为作者的地理兴趣和来源带来了新的亮点,并为14世纪的地图绘制增添了一些小的亮点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two Cartographic Elements in Galvaneus Flamma’s Cronica Universalis
In his Cronica universalis Galvaneus Flamma refers to two cartographic artifacts. The first is a diagram of the winds placed within a cosmological frame, which lists the names of the winds in accordance with both “scientific” tradition and seafaring experience; this diagram intertwines two sources of knowledge, as would be expected in a scholarly milieu receptive to the suggestion of geographical practice. The other is a mappa Ianuensis, i.e. a map drawn in Genoa or kept in Genoa at the time, which Galvaneus mentions three times in his work; according to Galvaneus’s mentions, this map depicted the entire globe, and was much more extensive than a portolan chart. Both elements bring new light about the author’s geographical interests and sources, and add some small tiles to the mosaic of fourteenth-century cartography.
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CiteScore
0.50
自引率
50.00%
发文量
41
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