{"title":"对加泰罗尼亚首都的解读:安德鲁martin的《巴塞罗那悲剧》中的城市主义、暴力和城市作为一个有机体","authors":"Agustín Martínez-Samos","doi":"10.37536/PREH.2021.9.1.1091","DOIUrl":null,"url":null,"abstract":"The novel Barcelona tragica (2009) by Andreu Martin depicts an episode of political uncertainty, a case of civil disobedience and occurrences of urban violence, historically known as “La Setmana Tragica de Barcelona” (The Tragic Week of Barcelona), which unfolds in the summer of 1909. The present study investigates in depth the vision of the capital of Catalonia as a living and damaged organism in constant metamorphosis, which exposes an exhausting process of collision and social adjustment to emphasize the unfinished realization of personal and collective subjectivity. The article points out the existence of unstable and antagonistic historical links between the global urban space and the multiplicity of frontier spaces, used by the industrial bourgeoisie as marginalizing structures to disrupt and alienate the battered existence of the incipient anarchist proletariat. It also reflects on how the urban area in Martin’s narrative becomes a versatile barometer of public disturbances and class problems in order to reevaluate the citizen-society binomial. In this way, through the critical observation of the strategies of fiction, it is shown how the individual suffers from undeniable and harmful consequences due to the multiple negotiations and asymmetrical relations between Barcelona and its citizens, reflection of the harsh metropolitan environment resulting from the political and social crisis of 1909.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Una lectura de la capital de Cataluña: urbanismo, violencia y la ciudad como organismo en \\\"Barcelona trágica\\\" de Andreu Martín\",\"authors\":\"Agustín Martínez-Samos\",\"doi\":\"10.37536/PREH.2021.9.1.1091\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The novel Barcelona tragica (2009) by Andreu Martin depicts an episode of political uncertainty, a case of civil disobedience and occurrences of urban violence, historically known as “La Setmana Tragica de Barcelona” (The Tragic Week of Barcelona), which unfolds in the summer of 1909. The present study investigates in depth the vision of the capital of Catalonia as a living and damaged organism in constant metamorphosis, which exposes an exhausting process of collision and social adjustment to emphasize the unfinished realization of personal and collective subjectivity. The article points out the existence of unstable and antagonistic historical links between the global urban space and the multiplicity of frontier spaces, used by the industrial bourgeoisie as marginalizing structures to disrupt and alienate the battered existence of the incipient anarchist proletariat. It also reflects on how the urban area in Martin’s narrative becomes a versatile barometer of public disturbances and class problems in order to reevaluate the citizen-society binomial. In this way, through the critical observation of the strategies of fiction, it is shown how the individual suffers from undeniable and harmful consequences due to the multiple negotiations and asymmetrical relations between Barcelona and its citizens, reflection of the harsh metropolitan environment resulting from the political and social crisis of 1909.\",\"PeriodicalId\":40522,\"journal\":{\"name\":\"Pasavento-Revista de Estudios Hispanicos\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Pasavento-Revista de Estudios Hispanicos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37536/PREH.2021.9.1.1091\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pasavento-Revista de Estudios Hispanicos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37536/PREH.2021.9.1.1091","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
安德烈·马丁(Andreu Martin)的小说《巴塞罗那悲剧》(2009)描绘了一个政治不确定性、公民抗命和城市暴力事件的插曲,历史上被称为“巴塞罗那悲剧周”(The Tragic Week of Barcelona),故事发生在1909年夏天。本研究深入探讨了加泰罗尼亚首都作为一个不断变形的活的、受损的有机体的愿景,揭示了一个令人疲惫的碰撞和社会调整过程,强调个人和集体主体性的未完成实现。文章指出,在全球城市空间和边界空间的多样性之间存在着不稳定和对立的历史联系,工业资产阶级将其用作边缘化结构,以破坏和疏远早期无政府主义无产阶级的生存。它还反思了马丁叙事中的城市地区如何成为公共骚乱和阶级问题的多功能晴雨表,以重新评估公民社会的二项式。通过对小说策略的批判性观察,可以看出,由于巴塞罗那与其公民之间的多重谈判和不对称关系,个人如何遭受不可否认的有害后果,这反映了1909年政治和社会危机造成的严酷的大都市环境。
Una lectura de la capital de Cataluña: urbanismo, violencia y la ciudad como organismo en "Barcelona trágica" de Andreu Martín
The novel Barcelona tragica (2009) by Andreu Martin depicts an episode of political uncertainty, a case of civil disobedience and occurrences of urban violence, historically known as “La Setmana Tragica de Barcelona” (The Tragic Week of Barcelona), which unfolds in the summer of 1909. The present study investigates in depth the vision of the capital of Catalonia as a living and damaged organism in constant metamorphosis, which exposes an exhausting process of collision and social adjustment to emphasize the unfinished realization of personal and collective subjectivity. The article points out the existence of unstable and antagonistic historical links between the global urban space and the multiplicity of frontier spaces, used by the industrial bourgeoisie as marginalizing structures to disrupt and alienate the battered existence of the incipient anarchist proletariat. It also reflects on how the urban area in Martin’s narrative becomes a versatile barometer of public disturbances and class problems in order to reevaluate the citizen-society binomial. In this way, through the critical observation of the strategies of fiction, it is shown how the individual suffers from undeniable and harmful consequences due to the multiple negotiations and asymmetrical relations between Barcelona and its citizens, reflection of the harsh metropolitan environment resulting from the political and social crisis of 1909.