{"title":"女性主义对女巫的诠释与当代女性艺术中的女巫热潮","authors":"Katy Deepwell","doi":"10.1558/POME.37942","DOIUrl":null,"url":null,"abstract":"This article arose from my experience organizing the conference, Misogyny: Witches and Wicked Bodies, which was held at the ICA, London, in March 2015. My aim in facilitating this event, which featured Alexandra Kokoli, Lynne Segal and myself as speakers, was to consider feminist interpretations of the witch in contemporary art and whether historical images of witches can be regarded as ‘woman-hating’ or misogynist.","PeriodicalId":41407,"journal":{"name":"Pomegranate","volume":"21 1","pages":"146-171"},"PeriodicalIF":0.3000,"publicationDate":"2019-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Feminist Interpretations of Witches and the Witch Craze in Contemporary Art by Women\",\"authors\":\"Katy Deepwell\",\"doi\":\"10.1558/POME.37942\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article arose from my experience organizing the conference, Misogyny: Witches and Wicked Bodies, which was held at the ICA, London, in March 2015. My aim in facilitating this event, which featured Alexandra Kokoli, Lynne Segal and myself as speakers, was to consider feminist interpretations of the witch in contemporary art and whether historical images of witches can be regarded as ‘woman-hating’ or misogynist.\",\"PeriodicalId\":41407,\"journal\":{\"name\":\"Pomegranate\",\"volume\":\"21 1\",\"pages\":\"146-171\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-09-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Pomegranate\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/POME.37942\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pomegranate","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/POME.37942","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章源于我组织2015年3月在伦敦ICA举行的会议“Misogyny:Witches and Wicked Bodies”的经历。我促成这场活动的目的是考虑当代艺术中对女巫的女权主义解释，以及女巫的历史形象是否可以被视为“仇视女性”或厌女主义。
Feminist Interpretations of Witches and the Witch Craze in Contemporary Art by Women
This article arose from my experience organizing the conference, Misogyny: Witches and Wicked Bodies, which was held at the ICA, London, in March 2015. My aim in facilitating this event, which featured Alexandra Kokoli, Lynne Segal and myself as speakers, was to consider feminist interpretations of the witch in contemporary art and whether historical images of witches can be regarded as ‘woman-hating’ or misogynist.
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