Deirdre Kinahan的《难以管理的姐妹》:Michel Tremblay在爱尔兰舞台上的Belles-sœurs

Q4 Arts and Humanities
Quebec Studies Pub Date : 2021-12-01 DOI:10.3828/qs.2021.16
J. Koustas
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引用次数: 1

摘要

2018年春天,改编自米歇尔·特朗布雷的代表作《belles-sœurs》(1968)的迪尔德丽·基纳汉的《难以驾驭的姐妹》在Abbey剧院上演。该剧在爱尔兰观众中“大获成功”,并于2019年夏天重新上演。由一位年轻而有成就的爱尔兰剧作家创作的都柏林版本展现了语言的可比性,以及激发原著灵感的社会经济和文化环境的可比性,从而强调了两个戏剧界之间的联系。它还展示了戏剧在表达贫困、受教育程度低和边缘化妇女的语言、生活和日常创伤方面的作用。本研究认为,Tremblay和Kinahan的成功归因于戏剧对所讨论问题的交叉性的理解、解释和演绎。交叉性关注的是权力、压迫和边缘化的多重来源的分层和相互作用。以前的英文译本并没有抓住原文的核心交叉性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Deirdre Kinahan’s Unmanageable Sisters: Michel Tremblay’s Belles-sœurs on the Irish Stage
In spring 2018, Deirdre Kinahan’s The Unmanageable Sisters, an adaptation of Michel Tremblay’s landmark Les belles-sœurs (1968), was performed in the Abbey Theatre. A “smash hit” (Abbey programme) with the Irish audience, it was restaged in summer 2019. The Dublin version by a young and accomplished Irish playwright stages the comparability of the language register and of the socioeconomic and cultural circumstances that inspired the original thus underlining the connection between the two theater communities. It also demonstrates theater’s role in voicing the language, lives, and daily traumas of impoverished, undereducated, and marginalized women. This study contends that Tremblay’s and Kinahan’s success is attributable to the dramaturges’ understanding, interpretation, and staging of the intersectionality of the issues addressed. Intersectionality focuses on the layering and interaction of multiple sources of power, oppression, and marginalization. Previous English translations did not capture the intersectionality central to the original.
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来源期刊
Quebec Studies
Quebec Studies Social Sciences-Social Sciences (miscellaneous)
CiteScore
0.10
自引率
0.00%
发文量
11
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