边缘地区的对外行动,或被看到的意愿:两次世界大战期间的加泰罗尼亚文化外交

IF 0.4 3区 文学 0 LITERATURE
Elisabet Carbó-Catalan
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引用次数: 0

摘要

许多学术文献都反映了文化在集体建构中的强大能力,他者在任何身份建构过程中的关键作用,以及国家与国际的相互构成特征。所有这三个方面都说明了这样一个事实,即外交文化政策往往是现代国家巩固的重要组成部分。在这一总体框架下,本文重点探讨了周边集体的文化外交策略。具体来说,本文通过隐形的概念将对边缘地区的关注与文化外交联系起来,然后通过琼·埃斯特尔里奇(Joan Estelrich)牵头的两个加泰罗尼亚历史项目来举例说明:成立了第一个旨在向海外推广加泰罗尼亚文化的机构——加泰罗尼亚办事处'Expansió;以及争取在两次世界大战期间国际文化关系制度化的关键机构——国际智力合作研究所(International Institute of Intellectual Cooperation)展示加泰罗尼亚文化。通过对加泰罗尼亚文化外交的关注,外围地区在文化机构或组织中的地位受到质疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Foreign Action of Peripheries, or the Will to Be Seen: Catalan Cultural Diplomacy in the Interwar Period
abstract:Much academic literature has reflected upon the powerful capacities of culture in the construction of collectivities, the crucial role of the Other in any process of identity making, and the mutually constitutive character of the national and the international. All three aspects explain the fact that foreign cultural policy is often part and parcel of the consolidation of modern nations. Within this general framework, this article focuses on the strategies of cultural diplomacy conducted by peripheral collectivities. Specifically, this article links a focus on the peripheries with cultural diplomacy through the notion of invisibility and then exemplifies it through two Catalan historical projects spearheaded by Joan Estelrich: the foundation of Oficina d'Expansió Catalana, the first institution created to promote Catalan culture abroad, and the struggle to grant representation to Catalan culture at the International Institute of Intellectual Cooperation, a key body in the institutionalization of international cultural relations in the interwar period. Through the focus on Catalan cultural diplomacy, the place of peripheries in cultural institutions or organizations is problematized.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Comparative Literature Studies publishes comparative articles in literature and culture, critical theory, and cultural and literary relations within and beyond the Western tradition. It brings you the work of eminent critics, scholars, theorists, and literary historians, whose essays range across the rich traditions of Africa, Asia, Europe, and the Americas. One of its regular issues every two years concerns East-West literary and cultural relations and is edited in conjunction with members of the College of International Relations at Nihon University. Each issue includes reviews of significant books by prominent comparatists.
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