通过数字领域中自我的生产和消费超越现实原则。关于在线共享个人生活中数字创造的自我。社交距离遥远和在场距离遥远

Yana D. Nikolova
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引用次数: 0

摘要

本文以在Facebook上以图片和文本形式发布个人事件为例,探讨了一种新形式的自我产生机制,卡尔·罗杰斯(Carl Rogers)和凯伦·霍尼(Karen Horney)解释了人们如何以及为什么在网上创造一个富有想象力的自己。这种数字版本的自我超越了现实原则。自我是根据其所有者的特定需求和驱动力在数字中产生的。消费它的他者(受众)通过消费它带来价值观和价值感。文章的主要主张是,由于自我与受众(数字中的他者)之间的交流,个人关于自我价值的价值观发生了变化。因此,对消费受众的自我认同导致了自我实现和自我美化。这设置了基于选定和隐藏内容创建理想图像的过程。通过这样做,在理想的领导下,自我利用数字(象征秩序)中应用的想象中的观点来再现和保持个人身份叙事。因此,产生了一个理想的图像。一旦产生,它就开始被其他人从远处消耗,这创造了一种实现的幻觉,甚至是部分构建的。在过去的几年里,Facebook已经成为一个创建数字Selves的领域,这些Selves是分部分制作、复制(添加片段)内容并由选定的观众消费的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Being Beyond the Reality Principle Through Production and Consumption of the Self in the Digital Realm. About the Digital Created Self in the Shared Personal Life Online. Being Distantly Social and Distantly Present
Taking posting of personal events in pictures and text on Facebook as an example, the article discusses some mechanisms of production of the Self in a new form. Using the process of creating a constructed identity on a social media platform, the paper combines Jacques Lacan, Carl Rogers and Karen Horney in explaining psycho-socially how and why people create an imaginative version of themselves online. This digital version of their Self lives beyond the reality principle. The Self is produced in the digital according to specific needs and drives of its owner. The Other(s) (the audience) that consumes it, bring values and sense of worth by consuming it.  The main claim the article makes is that as a result of the communication between the Self and its audience (the Other (s) in the digital), personal values about self-worth change. As a result, self-identification with the consuming audience leads to self-actualizing and glorifying. This sets up the process of creating an Ideal Image based on chosen and hidden content. By doing this, the Ego, led by the Ideal, uses the views from the Imaginary that applies in the digital (the Symbolic order) to reproduce and keep personal narrative of identity going. Hence, an Ideal image is produced. Once produced, it starts to be consumed by the Others from distance that creates the illusion of fulfilment, even constructed in parts. The last few years Facebook has become an area of creating digital Selves that are produced in parts, reproduced (with added in pieces) content and consumed by a chosen audience.
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