{"title":"宇宙职业与死去的孩子:《外星人》、《地心引力》、《Extent》和《克洛弗菲尔德悖论》中的太空女性","authors":"Bronwyn Lovell","doi":"10.3828/SFFTV.2019.05","DOIUrl":null,"url":null,"abstract":"Abstract:The figure of the astronaut mother in sf represents a site of confluence between the seemingly incompatible cultural ideals and archetypes of the astronaut and the mother. These two identities are perceived to exist on opposite ends of the continuum between traditional binary conceptions of science and nature, masculinity and femininity, rationality and irrationality, detachment and attachment, technology and biology, and of course – space and the Earth. Contemporary sf stories struggle to merge these identities without breaking the mother in the process of making her an astronaut. In order to explore the complexities of the astronaut-mother figure, this article provides a close reading of four female astronaut characters in sf whose motherhood stories are constructed in strikingly similar ways: Ellen Ripley (Sigourney Weaver) in James Cameron’s special edition of Aliens (1992), Dr Ryan Stone (Sandra Bullock) in Alfonso Cuarón’s Gravity (2013), Dr Molly Woods (Halle Berry) in the television series Extant (2014–15) and Ava Hamilton (Gugu Mbatha-Raw) in The Cloverfield Paradox (2018). Each of these narratives features a female protagonist who goes to space, whose job is the impetus for her space journey, and whose backstory features a dead child.","PeriodicalId":42550,"journal":{"name":"Science Fiction Film and Television","volume":"12 1","pages":"102 - 73"},"PeriodicalIF":0.2000,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Cosmic careers and dead children: Women working in space in Aliens, Gravity, Extant and The Cloverfield Paradox\",\"authors\":\"Bronwyn Lovell\",\"doi\":\"10.3828/SFFTV.2019.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The figure of the astronaut mother in sf represents a site of confluence between the seemingly incompatible cultural ideals and archetypes of the astronaut and the mother. These two identities are perceived to exist on opposite ends of the continuum between traditional binary conceptions of science and nature, masculinity and femininity, rationality and irrationality, detachment and attachment, technology and biology, and of course – space and the Earth. Contemporary sf stories struggle to merge these identities without breaking the mother in the process of making her an astronaut. In order to explore the complexities of the astronaut-mother figure, this article provides a close reading of four female astronaut characters in sf whose motherhood stories are constructed in strikingly similar ways: Ellen Ripley (Sigourney Weaver) in James Cameron’s special edition of Aliens (1992), Dr Ryan Stone (Sandra Bullock) in Alfonso Cuarón’s Gravity (2013), Dr Molly Woods (Halle Berry) in the television series Extant (2014–15) and Ava Hamilton (Gugu Mbatha-Raw) in The Cloverfield Paradox (2018). Each of these narratives features a female protagonist who goes to space, whose job is the impetus for her space journey, and whose backstory features a dead child.\",\"PeriodicalId\":42550,\"journal\":{\"name\":\"Science Fiction Film and Television\",\"volume\":\"12 1\",\"pages\":\"102 - 73\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Science Fiction Film and Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/SFFTV.2019.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science Fiction Film and Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/SFFTV.2019.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Cosmic careers and dead children: Women working in space in Aliens, Gravity, Extant and The Cloverfield Paradox
Abstract:The figure of the astronaut mother in sf represents a site of confluence between the seemingly incompatible cultural ideals and archetypes of the astronaut and the mother. These two identities are perceived to exist on opposite ends of the continuum between traditional binary conceptions of science and nature, masculinity and femininity, rationality and irrationality, detachment and attachment, technology and biology, and of course – space and the Earth. Contemporary sf stories struggle to merge these identities without breaking the mother in the process of making her an astronaut. In order to explore the complexities of the astronaut-mother figure, this article provides a close reading of four female astronaut characters in sf whose motherhood stories are constructed in strikingly similar ways: Ellen Ripley (Sigourney Weaver) in James Cameron’s special edition of Aliens (1992), Dr Ryan Stone (Sandra Bullock) in Alfonso Cuarón’s Gravity (2013), Dr Molly Woods (Halle Berry) in the television series Extant (2014–15) and Ava Hamilton (Gugu Mbatha-Raw) in The Cloverfield Paradox (2018). Each of these narratives features a female protagonist who goes to space, whose job is the impetus for her space journey, and whose backstory features a dead child.